文艺学与美学的现代分离:问题、过程、反思

发布时间：2018-02-11 01:20

本文关键词： 中国现代文艺学中国文学理论美学学科文学批评中国文艺学现代性诗文评审美理论中国传统文艺自律性　出处：《文学评论》2012年05期 　论文类型：期刊论文

【摘要】：晚清以降,西方近现代科学世界观逐渐替代中国传统天理世界观、中国传统浑整的知识系统被易以现代知识分化后的分科谱系、中国国家社会政治制度的现代性变迁所自然引发的现代教育体制与课程体系改革,分别从观念、知识、制度三个层面为文艺学与美学的现代分离准备了条件。中国文艺学与美学的现代分离因而也相应地表现为从观念话语、到知识谱系、再到学科体系的全面分离过程。然而,今天来看,这一分离本身并不都是积极的,亦潜藏着隐忧:它在使中国文艺学快速完成现代转型与学科独立的同时,也丧失了中国传统"诗文评"与"审美理论"作为浑整的知识形态时所自然蕴含的巨大现实生命根基与对社会意识形态所持有的审美超越性精神,后者正是中国文艺学在当代发展中亟须重新找回的东西。
[Abstract]:In the late Qing Dynasty, the western modern scientific world outlook gradually replaced the traditional Chinese natural world outlook, and the Chinese traditional knowledge system was easily divided into branches after the division of modern knowledge. The reform of modern education system and curriculum system caused by the modern changes of China's national social and political system is based on concept and knowledge, respectively. The three levels of institution prepare the conditions for the modern separation of literature and art from aesthetics. Therefore, the modern separation of Chinese literature and art and aesthetics is accordingly manifested in the process of separation from the discourse of ideas, to the pedigree of knowledge, and to the complete separation of the discipline system. Today, this separation is not all positive in itself, but also has hidden worries: it enables Chinese literature and art to rapidly complete the modern transformation and discipline independence at the same time, It also loses the huge real life foundation and the aesthetic transcendence spirit held by the traditional Chinese traditional "poetic criticism" and "Aesthetic Theory" as a muddy form of knowledge. The latter is exactly what Chinese literature and art urgently need to be rediscovered in the contemporary development.
【作者单位】：西北大学文学院;
【基金】：教育部人文社科项目《中国现代美学体系中的古典美学范畴研究》(项目编号:11YJC751024)阶段性成果
【分类号】：I01

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