即兴中的艺术哲学

发布时间：2018-02-13 07:02

  本文关键词： 即兴 中的 艺术 哲学　出处：《音乐艺术(上海音乐学院学报)》2013年01期 　论文类型：期刊论文

【摘要】：正原先设想这本秘籍只是介绍一些招法和套路,写成一本简短实用的读物,但拉扯起来竟然也写成了9万字的小册子,因此在这里不得不再作一概括,以便读者能掌握即兴活动中一些最根本的要领。在以往的即兴中,我们总是把自己的审美评判交由感性去定夺:这个织体不满意,那个和弦不够味……多次尝试,一直到你精疲力尽,甚至自己都不知道究竟要怎样的效果了。纵然我们有丰富的审美经验,但困难的是无法在瞬间立即做出抉择。因此我们需要从全面的、本质的高度来
[Abstract]:It was originally envisaged that this secret book would only introduce some tricks and routines and be written into a short and practical reading, but it was even written into a pamphlet of 90,000 words, so I had to generalize it here. So that readers can grasp some of the most fundamental essentials of improvisation. In the past, improvisation, we always put our own aesthetic judgment to the emotional decision: this texture is not satisfied, that chord is not good enough. Until you're exhausted, you don't even know what the effect is. Even though we have a lot of aesthetic experience, the difficulty is that we can't make a decision immediately. So we need to go from a comprehensive, essential level.
【作者单位】： 上海音乐学院作曲系;
【分类号】：J0-02
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本文编号：1507589