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论冯友兰的艺术与美学观

发布时间:2018-02-27 16:31

  本文关键词: 艺术观 美学观 天地境界说 出处:《河北大学》2008年硕士论文 论文类型:学位论文


【摘要】: 冯友兰的艺术学观与美学观是建立在他的哲学观尤其是新理学体系之上的,主要体现在《贞元六书》的《新理学》和其他的一些文章中。其观点涉及了艺术本性、艺术风格、艺术功效、美本质、人格美和人生境界说等内容。冯先生在阐述艺术与美学观点时,综合运用了多种研究方法,随着他新理学体系的建立和完善,其艺术与美学的分支也在自我发展、自我完善。冯先生提出的许多观点在学界产生了深远的影响,至今仍给我们许多启发。本文以艺术学和美学为两条主线索,每条线索又分成几个问题对冯先生的相关理论进行梳理,从而试图揭示出冯先生认为的艺术与人生的关系以及如天地境界般的审美精神。
[Abstract]:Feng Youlan's view of art and aesthetics is based on his philosophy, especially the new Neo-Neo-Confucianism system, which is mainly reflected in the "New Neo-Confucianism" in "the six Books of Zhenyuan" and some other articles. In expounding his views on art and aesthetics, Feng used a variety of research methods, with the establishment and perfection of his new Neo-Neo-Neo-Confucianism system. The branches of art and aesthetics are also self-development and self-improvement. Many of the views put forward by Feng have a profound impact on the academic world and still give us many inspirations. This paper takes art and aesthetics as the two main clues. Each clue is divided into several questions to sort out Mr. Feng's relevant theories in order to reveal the relationship between art and life and the aesthetic spirit like the realm of heaven and earth.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J01

【参考文献】

相关期刊论文 前1条

1 严志明;冯友兰的艺术论和美论[J];中州学刊;1996年03期



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