新世纪中国大陆文艺美学学术史研究

发布时间：2018-02-27 16:33

本文关键词： 新世纪中国大陆文艺美学学术史　出处：《山东大学》2008年硕士论文　论文类型：学位论文

【摘要】： 中国大陆文艺美学学科是1980年春在昆明召开的全国首届美学学会上由胡经之教授首次提出来的,1982年,胡经之教授又在北京大学出版社出版的《美学向导》一书中发表了《文艺美学及其它》一文。该文指出:“文艺学和美学的深入发展,促使一门交错于两者之间的新的学科出现了,我们姑且称它为文艺美学。”1986年5月,山东大学中文系等六家学术单位在山东泰安发起召开了首届全国文艺美学讨论会,就文艺美学的研究对象和范围等问题展开了深入讨论。此后,围绕文艺美学学科出版了一些列专著,发表了大量文章。2000年12月,教育部批准在山东大学建立文艺美学重点研究基地。二十多年来,文艺美学学科由草创到深入研究,到再度成为热点,倾注了众多专家学者的心血。据目前不完全统计,二十多年来,有关文艺美学的学术论文有200多篇,学术专著三十余部,并多次召开了全国性的学术会议。因此,对文艺美学进行学术史的研究,对其发展进行历史的回顾与反思,必将有利于它的进一步健康发展。本文主要对中国大陆文艺美学新世纪以来的发展进行了初步的梳理。本文第一章,从其学科定位、研究对象、理论资源和研究方法等几个方面对文艺美学的学科内涵进行全面的考察。第二章中则突出了文艺美学在“新世纪”这个新的发展阶段的特点,总结了文艺美学这一阶段的学科价值和理论贡献。这集中表现在文艺美学的现代转型研究的进一步深入,中国古代理论资源的进一步梳理与开拓,在交往对话中推进文艺美学的比较研究,以及重建人文精神,提倡人的“审美地生存”、“诗意地栖居”等四个方面。第三章则从我国进入21世纪以来新的时代特点和社会需要出发,将新世纪文艺美学发展所面临的挑战归纳为四个方面:第一,电子技术的发展、网络文化的勃兴,使当代传媒艺术的感性形象有余,而精神内蕴不足,文艺的认识教化功能衰退。第二,经济全球化使得包括美学在内的民族文化走向世界显得愈加迫切,从而加强了文艺美学建设中传统文艺美学思想现代转换并迅速走向世界的紧迫性。第三,大众文化的兴起、广告与服饰文化的发展,使艺术与生活、审美与生活的边界变得模糊起来,在这种情况下文艺美学的研究对象及其存在必要性也由此变得模糊而难以确定;而艺术终结论的流行则使文艺美学存在的必要性遭到挑战。第四,文化理论的发展,特别是文化研究与文化批评思潮的兴起,在拓展了美学与文艺学边界的同时呈现出逐步取代美学与文艺学理论之势,也使文艺美学存在的必要性遭到质疑。针对上述挑战,我们应该如何面对?诸位先生对此都作出了积极的回应,并在文艺美学学科建设等方面建设提出了许多极具建设性的意见。
[Abstract]:The subject of literature and art aesthetics in mainland China was first proposed by Professor Hu Jingzhi at the first National Academy of Aesthetics held in Kunming in the spring of 1980. In 1982, Professor Hu Jingzhi also published an article on Aesthetics and others in the Guide to Aesthetics published by Peking University Press. The article points out: "the further development of literature and art and aesthetics. "in May 1986, six academic institutions, including the Chinese Department of Shandong University, launched the first National Symposium on Literary Aesthetics in Tai'an, Shandong Province. The research object and scope of literature and art aesthetics are discussed in depth. Since then, a number of monographs have been published around the subject of literature and art aesthetics, and a large number of articles have been published. In December 2000, The Ministry of Education has approved the establishment of a key research base for literary and artistic aesthetics at Shandong University. For more than 20 years, the subject of literature and art aesthetics has changed from scratch to in-depth research, and has once again become a hot spot, pouring in the efforts of many experts and scholars. According to incomplete statistics at present, Over the past 20 years, there have been more than 200 academic papers and more than 30 monographs on literature and art aesthetics, and many national academic conferences have been held. Therefore, the academic history of literary and artistic aesthetics has been studied. A historical review and reflection on its development will be conducive to its further healthy development. This paper mainly reviews the development of literary aesthetics in mainland China since the new century. The theoretical resources and research methods have made a comprehensive investigation on the connotation of literature and art aesthetics. In the second chapter, the characteristics of literature and art aesthetics in the new development stage of "new century" have been highlighted. This paper summarizes the academic value and theoretical contribution of the stage of literary aesthetics, which is manifested in the further study of the modern transformation of literary aesthetics and the further combing and development of ancient Chinese theoretical resources. In the process of communication and dialogue, the author advances the comparative study of literary and artistic aesthetics, reconstructs the humanistic spirit, and advocates the "aesthetic existence" and "poetic dwelling" of human beings. The third chapter starts from the new era characteristics and social needs of our country since 21th century, sums up the challenges facing the development of literature and art aesthetics in the new century into four aspects: first, the development of electronic technology, the flourishing of network culture. The perceptual image of contemporary media art is more than that, but the spiritual connotation is insufficient, and the understanding and edification function of literature and art is declining. Secondly, economic globalization makes the national culture, including aesthetics, more urgent to the world. Therefore, it strengthens the urgency of the modern transformation of traditional literary and artistic aesthetics in the construction of literary aesthetics. Third, the rise of mass culture, the development of advertising and dress culture, and the development of art and life. The boundary between aesthetics and life becomes blurred, in which case the object of study and the necessity of existence of aesthetics of literature and art become fuzzy and difficult to determine. The popularity of the theory of the end of art challenged the necessity of the existence of literary and artistic aesthetics. 4th, the development of cultural theory, especially the rise of cultural research and cultural criticism, While expanding the boundary between aesthetics and literature and art, it presents the tendency of gradually replacing aesthetics and literary theory, and also calls into question the necessity of the existence of literature and art aesthetics. How should we face the above challenges? All of you have made a positive response to this, and put forward many constructive suggestions on the construction of the subject of literature and art aesthetics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

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