《在延安文艺座谈会上的讲话》的三重经典意义

发布时间：2018-03-03 10:31

本文选题：毛泽东　切入点：《讲话》　出处：《湖北大学学报(哲学社会科学版)》2012年04期 　论文类型：期刊论文

【摘要】：《在延安文艺座谈会上的讲话》不仅是毛泽东文艺思想的核心文献,也是马克思主义文艺理论史上的重要经典之一。其经典性或经典意义表现在三个方面:其一,《讲话》在确认文艺的意识形态性质这一马克思主义基本文艺理论观念的基础上,系统深入地论述了文艺与人民的关系、文艺与生活的关系、文艺与革命的关系等一系列重大文艺问题,在新的历史条件下为马克思主义文艺理论注入了新的思想内容,丰富与拓展了马克思主义文艺理论;其二,《讲话》从实践层面上确立了党的文艺工作的基本指导方针,不仅在当时统一了以延安为中心的全国进步文艺界的认识,为进步文艺工作者指明了前进方向,而且对此后70年来中国文艺的发展产生了最具权威性的影响,一直是中国共产党发展文艺事业、指导文艺工作的重要法典,新时期以来党在文艺工作方面一系列新的提法和观念是对《讲话》基本精神的继承和发展;其三,《讲话》的经典性还表现在,它的产生本身典型性地体现了马克思主义理论的一个最为基本的方法论原则,即理论与实际或现实实践相结合的原则,对当代的文艺理论研究来说,如何富有成效地实践这个方法论原则,依然是一个艰难的挑战,而《讲话》则依然是一个值得我们认真学习和研究的光辉范例。
[Abstract]:The speech at the Yan'an Forum on Literature and Art is not only the core document of Mao Zedong's literary and artistic thinking, It is also one of the important classics in the history of Marxist literature and art theory. Its classics or classical meanings are manifested in three aspects: first, the speech is based on the confirmation of the ideological nature of literature and art, the basic Marxist literary and artistic theory concept, A series of important literary and artistic issues, such as the relationship between literature and art and the people, the relationship between literature and art and life, the relationship between literature and art and the revolution, have been systematically and deeply discussed, and new ideological contents have been injected into Marxist literary and artistic theories under the new historical conditions. Second, the speech established the basic guiding principles of the Party's literary and artistic work from the practical level, not only unified the understanding of the national progressive literary and art circles with Yan'an as the center at that time, It has shown the way forward for the progressive writers and artists, and has had the most authoritative influence on the development of Chinese literature and art over the next 70 years. It has always been an important code of law for the Communist Party of China to develop its literary and artistic undertakings and guide its literary and artistic work. Since the new period, a series of new formulations and concepts of the Party's literary and artistic work have inherited and developed the basic spirit of the "speech"; third, the classical character of the "speech" is also manifested in:. Its emergence itself is a typical embodiment of one of the most basic methodological principles of Marxist theory, that is, the principle of combining theory with practice or practical practice. How to practice this methodological principle productively is still a difficult challenge, and the speech is still a shining example worthy of our careful study and study.
【作者单位】：山东大学文艺美学研究中心;
【分类号】：A841;J120.9

【共引文献】