论数字艺术创作中技术与美学的矛盾与平衡

发布时间：2018-03-08 10:39

  本文选题：数字技术　切入点：数字艺术　出处：《南昌大学》2013年硕士论文　论文类型：学位论文

【摘要】：艺术的发展历程是伴随着人类社会的发展历程而不断前进和变化着的,当下已步入数字信息时代,以0和1为构成基础的比特组建起了一个庞大的数字帝国,作为标志着一个时代特征的艺术创作,自然也不可能落于时代之后。数字艺术,这是一个近些年被反复提及并早己得到社会高度关注的艺术话题,于绝大多数人而言已经不再陌生。当今社会已然是一个信息爆炸的社会,数字技术的加入使得信息世界更加无边无际、彼此之间的联系更加紧密。数字艺术即是以数字技术为基础,在这样一个社会背景下诞生的新兴艺术门类。 尽管数字艺术还是一门新兴的艺术形式,但它已经成为了如今人们生活方式中必不可少的一部分,并且逐渐彻底的改变艺术创作的方式与接受的方式。在这样的一个纷繁复杂的时代中,刚刚崛起方兴未艾的数字艺术该如何与传统的艺术理论以及数字化时代的审美趣味互相适应?古老的艺术传统又该如何与数字艺术接轨并重新绽放出光芒?艺术理论界又该怎样对数字艺术所引发的艺术形式与审美理念的革命进行评价与引导?对于数字技术与美学理论在数字艺术中的融合与应用的相关研究,在当今的艺术环境下是非常有必要的并且势在必行的。 要说到数字艺术的诞生,还是要从工业时代转变为数字时代的契机——电子计算机的诞生开始算起。二战结束后,人类迎来了一个科技发展犹如高速公路上全速奔跑的法拉利跑车的时代,二进制理论的确立和电子工业的迅速发展,世界上第一台真正意义上的电子计算机被制造出来了。到如今近一个世纪的技术革命,使得那简简单单的“0”和“1”两个数字,演绎出了无数的传奇,其中尤以以这两个数字组成的二进制创造出的数字艺术最为突出。 历史上从没有任何一门艺术种类,与技术息息相关的程度能够与数字艺术相提并论,而由此也引发了一系列的问题,就是关于数字艺术的“艺术技术化”的争论,关于数字艺术创作过程中技术所占比重的过重与相关美学或艺术理论的缺失所造成的不平衡的忧虑与迷茫。如今人们在评价数字艺术的作品时,在传统艺术理论和审美观念已经不够适用的情况下,往往以技术为第一要务,而审美或说美学方面的品评则“缺席”得十分严重。 由无数个0和1的比特单位所组成的互联网,可以说是数字技术诞生以来所带来的最伟大的成就,它所体现的,也正是数字技术最本真的实质：自由、开放、以人为本。显然,基于数字技术而诞生的新兴艺术形式——数字艺术,也不可能脱离于这个本质而发展。美学理论中必定有一些无论任何的艺术形式都适用且须遵守的通用规律,数字艺术虽然在艺术的表达方式和媒介上彻底颠覆了传统的艺术形式,但只要其仍属于艺术领域,那么美学中的那些通用规律,也必然会在数字艺术中得到延续。
[Abstract]:With the development of human society, the development of art is constantly advancing and changing. Now it has stepped into the digital information age, and a huge digital empire has been built up with bits based on 0 and 1. As an artistic creation that symbolizes the characteristics of the times, it is naturally impossible to fall behind the times. Digital art, which has been repeatedly mentioned in recent years and has been highly concerned by the society, It is no stranger to the vast majority of people. Today's society is already a society of information explosion, and the addition of digital technology has made the information world more boundless. Digital art is a new art category born in such a social background based on digital technology. Although digital art is still a new art form, it has become an indispensable part of people's way of life today. And gradually and thoroughly change the way of artistic creation and the way of receiving. In such a complicated era, How should the rising digital art adapt to the traditional art theory and the aesthetic taste of the digital age? How should the ancient art tradition be connected with digital art and shine again? How should the circle of art theory evaluate and guide the revolution of artistic form and aesthetic idea caused by digital art? It is necessary and imperative to study the fusion and application of digital technology and aesthetics in digital art in the present art environment. To talk about the birth of digital art, or the turning point from the industrial age to the digital age-the beginning of the birth of electronic computers. Mankind ushered in an era of scientific and technological development like a Ferrari sports car running at full speed on a highway, the establishment of binary theory and the rapid development of the electronics industry. The first real electronic computer in the world was made. Now the technological revolution of nearly a century has resulted in the simple numbers "0" and "1", and the countless legends. In particular, the binary composed of these two numbers to create the most prominent digital art. There has never been any kind of art in history, and the degree of being closely related to technology can be compared with that of digital art, and this has led to a series of problems, namely, the debate about the "technicalization" of digital art. Concern and confusion about the imbalance caused by the excessive proportion of technology in the process of digital art creation and the absence of relevant aesthetics or artistic theories. Under the condition that the traditional art theory and aesthetic concept are not suitable enough, technology is often the first priority, and the aesthetic or aesthetic evaluation is "absent" very seriously. The Internet, made up of countless bits of zero and one, is arguably the greatest achievement since the birth of digital technology, which embodies the very essence of digital technology: freedom, openness, It is clear that digital art, an emerging form of art based on digital technology, cannot develop without this essence. There must be general laws in aesthetic theory that are applicable to and subject to any form of art, Although digital art has completely overturned the traditional art form in the artistic expression and media, as long as it still belongs to the art field, then those general laws in aesthetics will certainly be continued in the digital art.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J05;J01

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2 邱晓岩;数字媒体艺术的新美学特征[J];西南民族大学学报(人文社科版);2004年12期

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