图式雷同的内耗——反思当代艺术中的卡通形象

发布时间：2018-03-18 17:34

本文选题：卡通形象　切入点：当代艺术　出处：《美术观察》2012年11期 　论文类型：期刊论文

【摘要】：正在美术界的"89新潮"之后,中国当代艺术中开始出现借用卡通形象或电子游戏机中的人物形象置换而成的波普绘画作品。艺术家试图用新的造型形象消解过去意识形态主题的严肃绘画,强调生活中的空洞、滑稽、无所谓。紧接着,有一大群当代艺术家开始沿用此类画法。其中一种是借用相机广角镜头的成像,简单地拍摄对象以后直接画照片,表现艺术家观察到的年轻一代的无聊与茫然。他们有的是故作深沉,有的嬉皮笑脸,仿佛是对应王朔的痞子文化与京派的玩世现实主义。还有一种是借助动画片里出现过的卡通形象,表现自己所面对的现代生活,力图制造一种莫名其妙的反讽和对现实的嘲笑,画面人物以卡通面貌出现,但动态是连环
[Abstract]:After the "89 New trend" in the art world, In contemporary Chinese art, pop paintings are beginning to appear, replaced by characters from cartoon images or video game consoles. Artists try to dispel serious paintings of past ideological themes with new modeling images. Then a large group of contemporary artists began to use this method of painting. One of them was to use the imaging of the camera's wide-angle lens, and simply take the object and draw a picture directly after that. Show the boredom and blankness of the younger generation that the artists observe. They are full of hypocrisy, some are frolicking and smiling, It seems to correspond to Wang Shuo's riffraff culture and Beijing school's realism of playing the world. There is another kind of cartoon image that has appeared in the cartoon film to express the modern life that oneself faces, trying to create a kind of inexplicable irony and ridicule to the reality. The characters appear as cartoons, but the dynamics are serial
【作者单位】：云南艺术学院;西安美术学院;
【分类号】：J120.9

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