传统媒材介入当代艺术作品及其意义的探索

发布时间：2018-03-24 04:23

本文选题：传统媒介　切入点：陶瓷　出处：《东北师范大学》2006年硕士论文

【摘要】： 在全球化和文化多元化并存的状态下,中国的文化和艺术在一直处于非主流地位,这一思想在中国艺术家头脑中根深蒂固。美术界也一直就有走"中西结合"之路,当代艺术家同样感到边缘文化和异质身份构成的机遇和挑战,中国艺术家面对艺术多元化的趋势和中国艺术国际边缘化的现实,就必须寻求找到一种恰当的传达观念的方式又与西方形式语言异同的表现方式。中国的特殊国情为艺术家们提供了特殊的观念内容,传统文化便成为脱离西方艺术俗套的鲜明形式特征。于是重新审视传统文化资源的可用成分,向传统回归,成为艺术家们的共识,既而扩展为一种普遍的艺术创作主导思想和潮流。而陶瓷,宣纸等传统媒材与传统文化有着极深的文化渊源,正是是传统文化资源的精髓的代表,是传统文化资源的一部分。在当代艺术创作中,材料的运用已是广泛的事实。本论文所提到的材料是以其“中国特色”内涵民族精神的传统媒材的运用,是作为独立艺术语言层面的语言。运用传统媒材的作品呈现一种当代语境中的艺术语言样式而成立。陶瓷语言与水墨语言具有相近的性质和相同的文化背景,也都同样面临在东西方文化的碰撞中如何更好的利用传统文化资源,因势利导完成自身现代嬗变的问题。当代优秀的陶艺家们和九十年代的实验水墨艺术家们一样,正在以各自的艺术语言和表现形式来阐述他们对生活的感受和社会的体验,来宣示他们的艺术追求和生活价值观念。在此背景下,重新理清陶瓷和宣纸{水,墨}作为本土传统媒介的文化价值优势及媒介属性的文化批评就显得特别具有意义。本研究研究的方向:陶瓷,宣纸等传统媒材介入当代艺术作品前,后媒材意义的转变。传统媒材[陶瓷宣纸等]等是中国传统文化资源的重要的组成部分,运用传统媒材进行艺术创作也可以说是从本土文化出发。为了强调个性风格和身份特征,运用传统文化资源是当代艺术的必然选择。传统媒介内涵民族精神,只有这样才能才能获得他人的尊重和跨入世界文化领域的对流中,坚定自我的文化身份并且保持相对的独立性。
[Abstract]:With the coexistence of globalization and cultural diversity, Chinese culture and art have always been in a non-mainstream position, which is deeply rooted in the minds of Chinese artists. Contemporary artists also feel the opportunities and challenges posed by marginal cultures and heterogeneous identities. Chinese artists face the trend of art pluralism and the reality of the international marginalization of Chinese art. We must find an appropriate way to convey ideas and express them in a similar and different way with Western formal languages. China's special national conditions provide artists with special conceptual content. Traditional culture has become a distinctive form characteristic of breaking away from the western art clich 茅. Therefore, it has become a common understanding among artists to re-examine the available elements of traditional cultural resources and return to the traditional ones. Therefore, it has expanded into a kind of universal art creation leading thought and trend. Ceramic, Xuan paper and other traditional media and traditional culture have a deep cultural origin, is the representative of the essence of traditional cultural resources, is a part of traditional cultural resources. In contemporary art creation, the use of materials is a widespread fact. The material mentioned in this paper is the use of traditional media with its "Chinese characteristics" connotation of the national spirit. As a language of independent artistic language, the works using traditional media present a kind of artistic language style in contemporary context. The ceramic language and the ink language have the similar nature and the same cultural background, and are also faced with how to make better use of the traditional cultural resources in the collision of the eastern and western cultures. The contemporary outstanding ceramic artists, like the experimental ink and ink artists of the 1990s, are explaining their feelings of life and social experience in their own artistic language and forms of expression. In this context, it is of particular significance to clarify the cultural value advantages and media attributes of ceramic and Xuan paper {water, ink} as local traditional media. The direction of this research: the change of the meaning of traditional media before and after the involvement of traditional media, such as ceramics, rice paper, etc. Traditional media [ceramic rice paper] is an important part of Chinese traditional cultural resources. The use of traditional media for artistic creation can also be said to be based on local culture. In order to emphasize the characteristics of personality and identity, the use of traditional cultural resources is the inevitable choice of contemporary art. Only in this way can we gain the respect of others and step into the convection of world culture, strengthen our own cultural identity and maintain their relative independence.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J120.9

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