试析黑格尔与丹托的“艺术终结论”

发布时间：2018-03-24 13:15

本文选题：黑格尔哲学　切入点：艺术终结论　出处：《美与时代(下旬)》2013年08期

【摘要】："艺术终结论"的始作俑者是19世纪德国的黑格尔,主要的代表人物是20世纪美国的丹托,他们都认为艺术将终结于哲学。在他们看来,艺术发展的趋势就是在丧失了自身的规定性之后将会以一种哲学的形式出现,走向"哲学化"。尽管黑格尔和丹托的理论有差别,他们关于"艺术终结"的论调仍然具有紧密的内在关联。黑格尔和丹托蔽于"西"而不知"中"。如果把"艺术终结"的命题夸大,把它描述为放之四海而皆准的普遍的世界图景便是非常不恰当的,这种理论尤其不适合于东方当下的社会主义中国。黑格尔和丹托的理论在一定程度上揭示了现当代西方资本主义社会发展的弊端,并且发现了艺术发展的多样性和新异性对于传统美学和文艺理论所构成的挑战,但是,从总体上来说,"艺术终结"的观点是不可取的。"作为人类内在精神活动的构成与体现方式,艺术是与人类的诞生及发展不断演进变化着;它为人类而存在,也必然维护着人类自身的发展。只要人类存在没有终结,艺术就不会终结。"
[Abstract]:The author of "the end of Art" was Hegel in 19th century Germany, and the main representative was Danto of the 20th century in the United States. They all believed that art would end in philosophy. In their view, The trend of art development is that it will appear in a philosophical form after losing its own stipulation, even though Hegel and Danto's theories are different. Their argument about the end of art is still closely intertwined. Hegel and Danto are blinded to the West without knowing it. If they exaggerate the proposition of the end of Art, It is very inappropriate to describe it as a universal and universal picture of the world. This theory is especially unsuitable for the contemporary socialist China in the East. To some extent, Hegel's and Danto's theories reveal the drawbacks of the development of modern western capitalist society. And found the diversity of art development and the challenges posed by the new heterosexual to traditional aesthetics and literary theory, but, On the whole, the idea of "end of art" is not desirable. "as a form of composition and embodiment of human inner spiritual activities, art is evolving with the birth and development of human beings; it exists for mankind," he said. It must also maintain the development of mankind itself. As long as human existence does not end, art will not end. "
【作者单位】：北京大学艺术学院;
【分类号】：B516.35

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