吉祥文化影响下的艺术观

发布时间：2018-04-22 22:02

本文选题：吉祥文化 + 艺术观　；参考：《青岛大学》2014年硕士论文

【摘要】：研究艺术,不论是研究艺术的历史还是研究艺术的理论甚至探寻艺术的未来,通常我们都会采取“抓两头,带中间”的做法。之所以称之为两头,,便是一头为原始艺术,认识古人是怎样诠释艺术,又是怎样创作艺术的,一头为民间艺术,从最原初的状态里寻求自然本质。有了对这两点的认知,去审视各朝各代艺术家和他们的作品,都会相对准确的对他们的历史地位和艺术造诣做出评价。自从踏上陶瓷艺术学习与探索之路,深受草原文化、蒙古族文化的影响和熏陶,在艺术创作的过程中也对吉祥艺术有所感触,并试图探寻成就草原文化的艺术渊源,试图探寻草原文化之下的吉祥艺术之处境。艺术的学习和探索是一件漫长而永无尽头的事,也是一段充满未知、艰辛、迷茫、困惑、苦楚与惊喜的旅程。而对自身艺术观的构建也是一个不断认知、不断推翻、不断重建的艰难而极具挑战的过程。文化的启迪在于,不是对某一事物的仿照,而是从中探讨人的智慧,激活自己的思维,做新的创造。
[Abstract]:In the study of art, whether it is the history of art, the theory of art or even the future of art, we usually take the approach of "grasping both ends and taking the middle". The reason why we call it "two ends" is that one is the primitive art, the other is the understanding of how the ancients interpreted art, how to create art, and the other is folk art, seeking the nature of nature from the original state. With the cognition of these two points, it is relatively accurate to evaluate the historical status and artistic attainments of the artists and their works. Since embarking on the road of ceramic art study and exploration, deeply influenced and edified by grassland culture and Mongolian culture, they have also felt the auspicious art in the process of artistic creation, and tried to explore the artistic origin of the achievement of grassland culture. Try to explore the situation of auspicious art under grassland culture. The study and exploration of art is a long and endless journey, full of unknown, hard, confused, confused, bitter and surprise. It is also a difficult and challenging process to construct one's own view of art. The enlightenment of culture lies not in imitating something, but in exploring human wisdom, activating one's own thinking and making new creation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J05

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