古希腊罗马视觉艺术中的“模仿”概念

发布时间：2018-04-23 01:39

本文选题：古希腊、罗马 + 视觉艺术　；参考：《南京师范大学》2007年硕士论文

【摘要】： 本文以古代希腊、罗马时期视觉艺术中的核心概念“模仿”为内容。从前苏格拉底时期模仿的最初含义开始，重点通过对柏拉图、亚里士多德的模仿理论的介绍和读解来逐步展开，为各位剖开古代视觉艺术中的模仿含义。到公元前四世纪的希腊古典时期，常被用到的模仿概念共有四种；希腊化和罗马时期，模仿仍然是学者们乐于关注的概念，讨论的重心逐渐转换至艺术作品模仿的对象以及创作过程。古典时期的杰出贡献之一就是产生了明确的模仿说，希腊化和罗马时期的学者们原则上保留了这种学说，只在细节上出现不少添加以及反驳的意见，其实这也正是他们对模仿说的历史贡献。
[Abstract]:This paper focuses on imitation, the core concept of visual art in ancient Greece and Rome. At the beginning of the original meaning of imitation in the former Socrates period, the emphasis was laid on the introduction and interpretation of Plato and Aristotle's imitation theory, which was used to dissect the meaning of imitation in ancient visual art. By the Greek classical period of the fourth century BC, there were four commonly used concepts of imitation; in the Hellenistic and Roman periods, imitation was still a concept that scholars were interested in paying attention to. The focus of the discussion is gradually shifting to the object of imitation and the process of creation. One of the outstanding contributions of the classical period was the explicit imitation that scholars in the Hellenistic and Roman period retained in principle, with only a number of additions and rebuttal in detail. In fact, this is their historical contribution to imitation.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J110.9

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