再论“人生艺术化”及其现实可能性
发布时间:2018-04-24 10:46
本文选题:人生艺术化 + 艺术与人生 ; 参考:《闽南师范大学》2013年硕士论文
【摘要】:自20世纪90年代以来,随着“日常生活审美化”现象的越演越烈,尤其在大城市经历着一场审美的泛化和勃兴,艺术作为商品进入了寻常百姓家。于是,在有人高呼“艺术死了”的同时,艺术和美又在人的生活中无处不在。尤其以当代艺术走进生活,走向人体,走进大众的视野中为例。在看似艺术化的社会生活中,人们被各种美丽事物包装着,随着狂欢不断、节日庆典不断,人们不停地追求着一个个美丽神话。可同时一个个现实问题也出现了,食品危险指数升高,离婚率升高,自杀、亲子自相残杀出现了,社会伦理问题层出不穷等等。在高档艺术品的包装下难以掩盖那一双双空洞无神的双眼,难以掩饰那空虚乏味不幸福的内心,难以阻止那血腥无人性的残忍。所以近年来对“人生艺术化”的探讨浮出水面,把向“人生艺术化”的回归和诗意生存的状态作为反省这些社会问题的一个办法,来提升现实人生。 “人生艺术化”是在中国现代20世纪20-40年代提出的,是当时一批美学家、艺术家们(如梁启超、朱光潜、宗白华等)的集体成果,在当时动荡不安的时代背景、中西互训的理论背景以及社会现实需要下提出的。“人生艺术化”思想实质上是关注人的现实生存的人生美学,以美和艺术来介入人的生存,建构人生意义,培养完整的人格和向上的美感,提升人的生命活力,使人全面发展,进而使整个社会全面发展进步。这一具有终极关怀的审美救赎思想,对于全人类都有一种“共通性”和启发性。 “人生艺术化”思想本身的这些丰富内涵,跨文化、跨学科的研究视角,很具有研究价值。在认识这些思想和价值的同时,也可以从新的角度出发,,把人生艺术化那种超脱性回归到现实中。这样重新倡导“人生艺术化”就不是简单的回归和复古,而是让它根植于现实生活中,避免一种超脱的虚空性。 从人的本质特征上去思考艺术与人生,从艺术的源始含义来思考人之生存,将会给“人生艺术化”带来一种新的阐释,“人生艺术化”就是一种充满诗意的创造性活动,是对人的生存进行整体性观照。“艺术化”立足于世俗生活中,在艺术和人生的双向建构中,各种世俗生活方式和内容本身就是艺术化的,充满创造性的,人的整体性的生存就是艺术化的原本存在。当然要使这种原本存在的人生艺术化更加明了地显现也需要一些现实途径,在文中将会一一提及。
[Abstract]:Since the 1990s, with the phenomenon of "daily life aesthetic" becoming more and more intense, especially in big cities, art has entered ordinary people's homes as a commodity. As a result, art and beauty are everywhere in human life at the same time that art dies. In particular, contemporary art into life, towards the human body, into the public vision for example. In the seemingly artistic social life, people are wrapped by all kinds of beautiful things, with the continuous carnival, festival celebrations, people are constantly pursuing a beautiful myth. But at the same time a real problem also appeared, food risk index increased, divorce rate increased, suicide, parent-child fratricidal, social and ethical problems emerge in endlessly, and so on. Under the packaging of high-grade art, it is difficult to cover up those empty eyes, to hide the empty, boring and unhappy heart, to prevent the bloody inhuman cruelty. Therefore, in recent years, the discussion of "artistry of life" has surfaced, and the return to "artistry of life" and the state of poetic existence are regarded as a way to reflect on these social problems in order to enhance the real life. "the artistry of life" was put forward in the 20th century and 1940s in China. It was the collective achievement of a group of aestheticians and artists (such as Liang Qichao, Zhu Guangqian, Zong Baihua, etc.), and the background of the turbulent times at that time. The theory background and social reality of the mutual training between China and the West are put forward. In essence, the thought of "artistry of life" is to pay attention to the life aesthetics of human's real existence, to intervene in people's existence with beauty and art, to construct the meaning of life, to cultivate complete personality and upward aesthetic feeling, to promote the vitality of human life and to make people develop in an all-round way. And then make the whole society to develop and progress in an all-round way. This aesthetic redeeming thought with ultimate concern has a kind of commonality and enlightenment for all mankind. These rich connotations of the thought of "life artistry", cross-cultural and interdisciplinary research perspective, are of great research value. While recognizing these thoughts and values, we can return the transcendence of life artistry to reality from a new angle. Therefore, it is not a simple return and retro to advocate "artistry of life" again, but to make it rooted in real life and avoid a kind of transcendent emptiness. To think about art and life from the essence of human beings, and to think about people's existence from the origin and meaning of art, will bring a new interpretation to "artistry of life", which is a kind of poetic creative activity. Is to carry on the holistic reflection to the human existence. "artistry" is based on secular life. In the bidirectional construction of art and life, all kinds of secular life styles and contents themselves are artistic, creative, and the existence of human being as a whole is the original existence of artistry. Of course, to make this pre-existing art of life more explicit and need some practical ways, will be mentioned in the article.
【学位授予单位】:闽南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J0-05
【参考文献】
相关期刊论文 前10条
1 余英时;;“游于艺”与“心与道合”[J];读书;2010年03期
2 张贤根;真理的显现与艺术的不解之谜——对海德格尔《艺术作品的本源》的解读[J];中北大学学报(社科版);2005年01期
3 王德胜;李雷;;中国现代“人生艺术化”理论探析[J];江苏社会科学;2009年02期
4 毛萍;海德格尔艺术本源论[J];江西社会科学;2003年12期
5 齐光远;;“人生艺术化”审美命题的生存论美学阐释[J];南阳师范学院学报;2011年02期
6 刘方;艺术化人生:中国传统士大夫的审美理想[J];四川大学学报(哲学社会科学版);2001年01期
7 钟华;《艺术作品的本源》解读——海德格尔艺术本质观初探[J];四川师范大学学报(社会科学版);2003年04期
8 杜卫;;简论中国现代美学的人生艺术化思想[J];社会科学辑刊;2007年04期
9 金雅;;“趣味”与“生活的艺术化”——梁启超美论的人生论品格及其对中国现代美学精神的影响[J];社会科学战线;2009年09期
10 金雅;;“人生艺术化”的中国现代命题与“美的规律”的启示[J];天津社会科学;2009年01期
本文编号:1796320
本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/1796320.html