从比较文学形象学角度看《王伦三跳》中的中国形象

发布时间：2018-04-24 20:44

本文选题：《王伦三跳》 + 形象学　；参考：《北京第二外国语学院》2008年硕士论文

【摘要】： 在欧美蓬勃发展的比较文学形象学正越来越多地吸引着我国比较文化研究者的目光。近年来,国内关于“中国形象”的异域表述的研究也逐渐呈方兴未艾之势。本文选取德国表现主义作家阿尔弗雷德·德布林(Alfred Doblin,1878-1957)的著名“中国小说”为个案,借助比较文学形象学的理论,进行“中国形象”的分析和阐释,从中国与德国的社会、文学关系的角度考察“中国形象”生成时期德国特有的社会、历史和文化现实,探讨某一特定时期德国对中国文化的接受情况,从而达到文化比较的目的。论文共分为四部分:引言、正文、结束语和参考书目。在引言部分,笔者主要阐述了论文研究的目的、所涉及的理论、研究范围的界定以及所使用的研究方法。正文部分主要由四个章节组成。第一章分为三部分,主要建构了指导论文文本分析的理论框架。该章首先对“比较文学形象学”这一学科的发展、理论基础、研究方法以及学科意义进行了介绍。第二部分,笔者把比较文学形象学中最重要的概念之一—“他者”的概念单独提出来,并从哲学、心理学和跨文化的角度分别概述其在文学文本分析中的重要作用。最后,笔者对论文中使用的“中国形象”这一概念进行界定。第二章,首先借助“他者”和形象学理论,梳理中国在欧洲被接受的历史,说明西方文学文本中“中国不是中国”观念的成因,然后具体关注《王伦三跳》文本生成时期,作为文学创作背景的德国历史、思想等多方面的社会现实,以及它们对作者以及小说中中国形象塑造所产生的影响。第三章是对小说《王伦三跳》作者德布林的介绍以及对文本情节的概述。作者研究是形象学研究的重要组成部分,因为作家作为文本的创作者,他个人的世界观和价值观,包括他从何种途径接触异国等等,都会对其作品中的异国形象的塑造起决定性作用。第四章从思想、民俗和文学等不同层面分析了《王伦三跳》中的中国形象,其中思想层面是本文分析的重点。德布林描绘的中国(人)形象,寓意大于形象,是一种人生态度和审美理念层面的中国(人)。“中国形象”与中国道家文化和儒家文化的关系是石头和拱桥的关系,作家关注的是对后者的阐释,但后者的存在绝对离不开对前者的表述。其他的两个层面,即民俗和文学,作为文本中作者丰满中国形象的手段,也同样反映了当时社会对中国文化的接受状况。结语部分,笔者在完成了具体文本分析、解读的基础上对正文部分的四个章节内容进行了概括性的总结,以期说明本论文的研究方法和框架结构的合理性。最后略谈“中国形象”的异域表述研究在当今文化比较研究的现实意义。
[Abstract]:In Europe and America, comparative literature image science is attracting more and more attention of Chinese comparative culture researchers. In recent years, the research on the foreign expression of Chinese image is also in the ascendant. This paper selects Alfred Doblinn, a German expressionist writer, as a case study of the famous "Chinese novel", with the help of the theory of comparative literature, to analyze and explain the "Chinese image" from the society of China and Germany. From the perspective of literary relations, this paper examines the social, historical and cultural realities of Germany in the period of the formation of "Chinese image", and probes into the reception of Chinese culture in a certain period, thus achieving the purpose of cultural comparison. The paper is divided into four parts: introduction, text, conclusion and bibliography. In the introduction part, the author mainly expounds the purpose of the paper, the theory involved, the definition of the research scope and the research methods used. The main body part consists of four chapters. The first chapter is divided into three parts, which mainly construct the theoretical framework of text analysis. This chapter first introduces the development, theoretical basis, research methods and significance of the subject of Comparative Literature Imagology. In the second part, the author puts forward one of the most important concepts in the image science of comparative literature, that is, "the other", and summarizes its important role in the analysis of literary texts from the perspectives of philosophy, psychology and cross-culture. Finally, the author defines the concept of "Chinese image". In the second chapter, with the help of the "other" and the theory of imageology, the author combs the history of China's acceptance in Europe, explains the causes of the concept of "China is not China" in the western literary texts, and then pays particular attention to the generation period of the text of "Wang Lun's three jumps". As the background of literary creation, German history, ideas and other social realities, as well as their influence on the author and the Chinese image in the novel. In the third chapter, the author of Wang Lun's Triple Jump is introduced and the plot of the text is summarized. The author's study is an important part of the study of imageology, because the writer, as the author of the text, has his own world outlook and values, including the ways from which he contacts with foreign countries, and so on. Will play a decisive role in the creation of foreign images in his works. The fourth chapter analyzes the Chinese image in Wang Lun's three jumps from different aspects, such as thought, folklore and literature, among which the ideological level is the focus of this paper. DeBrin's image of China (man), which is more than the image, is a kind of life attitude and aesthetic concept of China. The relationship between "Chinese image" and Chinese Taoist culture and Confucian culture is the relationship between stone and arch bridge. The writer pays attention to the interpretation of the latter, but the latter is absolutely inseparable from the former. The other two levels, folklore and literature, as the means of the author's fullness of Chinese image in the text, also reflect the acceptance of Chinese culture in the society at that time. The conclusion part, the author has completed the concrete text analysis, has carried on the general summary to the body part four chapters content on the basis of the interpretation, in order to explain this thesis research method and the frame structure rationality. Finally, the paper briefly discusses the practical significance of the study on the exotic expression of Chinese image in the comparative study of contemporary culture.
【学位授予单位】：北京第二外国语学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I0-03

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