身体的力量—艺术创作中的身体元素

发布时间：2018-04-27 01:38

本文选题：身体 + 身体元素　；参考：《西南交通大学》2014年硕士论文

【摘要】：人们对身体的认识经历了一个从绝对精神主义到注重身体本身的过程,以柏拉图和笛卡尔为代表的传统西方哲学家认为身体是低俗的、贪欲的、短暂的,相对应的,意识、精神、灵魂才是高级的、神圣的、不朽的、至高无上的。但从17世纪开始,哲学和科学逐渐取代神学,国家逐渐击退教会,理性开始击退信仰,身体开始摆脱压制,以尼采和福柯为代表的“身体”派,则是开始让身体解放,推翻了精神哲学的统治。在艺术创作中,身体不再仅仅是物质中的身体,更成为了欲望世界的表情或者是艺术家对社会性问题探讨的艺术语言符号。身体符号或者身体元素,可以以各种表现形式出现,让艺术创作更具力量。本文第一、二部分是对身体问题认识的两个时期进行简要的介绍和分析,主要是传统的精神主义和以尼采和福柯为代表的“身体”派的对比。第三部分是分析身体元素在两种不同的艺术表现形式中的运用,包括身体元素在架上作品及行为艺术中的应用,并分析列举著名行为艺术家(如谢德庆、何云昌等)的作品。第四、五部分是介绍身体元素在自身创作中的应用及探索过程,包括自身行为、油画、装置等作品。这些作品的创作过程亦是笔者从自身迷茫阶段转向清醒的一个自我救赎的内省过程。笔者希望通过深度的自我剖析来实现更加深刻的自我认知,只有通过对自我判定后的重新审视,才能重新回归到一个更真实的世界。
[Abstract]:People's understanding of the body has gone through a process from absolute spirituality to attention to the body itself. The traditional western philosophers, such as Plato and Descartes, believe that the body is vulgar, greedy, short-lived, corresponding and conscious. The spirit, the soul is high, sacred, immortal, supreme. But from the 17th century, philosophy and science gradually replaced theology, the state gradually repelled the church, reason began to repel faith, the body began to get rid of oppression, and the "body" school, represented by Nietzsche and Foucault, began to liberate the body. Overthrew the rule of spiritual philosophy. In artistic creation, the body is not only the body in the material, but also the expression of the desire world or the artistic language symbol of the artist's discussion of the social problem. Body symbols or body elements can appear in various forms, making artistic creation more powerful. The first and second parts of this paper are a brief introduction and analysis of the two periods of understanding of body problems, mainly the comparison between traditional spiritualism and "body" school represented by Nietzsche and Foucault. The third part is to analyze the use of body elements in two different forms of artistic expression, including the application of body elements in frame works and performance art, and to enumerate the works of famous behavioral artists (such as Xie Deqing, he Yunchang, etc.). The fourth and fifth parts introduce the application and exploration process of body elements in their own creation, including their own behavior, oil painting, installation and so on. The creation process of these works is also an introspection process of self-redemption from self-confused stage to sober self-redemption. The author hopes to realize more profound self-cognition through in-depth self-analysis. Only by re-examining the self-judgment can we return to a more real world.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J04

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