中国当代艺术早期的“文本化”现象

发布时间：2018-05-15 16:12

  本文选题：中国 + 当代艺术　； 参考：《文艺研究》2013年05期

【摘要】：正所谓"文本化",就是指用文本的方式解释世界的过程,它追求的是语言和世界的同一性。但正如维特根斯坦所发现的那样,这种同一性根本不存在,因为我们不可能"用一个同样的词来概括一切"(参见陈嘉明《现代性与后现代性十五讲》),这实际上就指出了文本世界与现实世界之间存在着巨大的不同。本文以"八五美术运动"为例,分析西方现代、后现代思想如何"文本化"地影响中国当代艺术的发展。
[Abstract]:The so-called "textualization" refers to the process of interpreting the world by means of text, which pursues the identity of language and the world. But as Wittgenstein discovered, this identity doesn't exist at all. Because it is impossible for us to "generalize everything in the same word" (see Chen Jia-ming 's "Fifteen lectures on modernity and Post-modernity"), this actually points out that there is a great difference between the text world and the real world. Taking the eighth five-year Art Movement as an example, this paper analyzes how modern and postmodern thought in the West "textualize" the development of Chinese contemporary art.
【作者单位】： 四川美术学院美术教育系;
【分类号】：J120.9
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本文编号：1893032