论詹姆逊的文学叙事理论与批评实践

发布时间：2018-05-19 20:44

本文选题：詹姆逊 + 文学　；参考：《山东师范大学》2006年硕士论文

【摘要】： 弗雷德里克·詹姆逊是当今西方马克思主义的代表人物,著名的后现代主义研究学者,美国文学理论家。詹姆逊的研究涉及多个领域,具有广泛而深远的世界性影响。但从叙事理论的角度对詹姆逊进行的研究还比较少,值得作进一步的探讨。詹姆逊的叙事理论是他的马克思主义阐释学体系的有机组成部分,这个体系的建立与批评实践首先是从叙事文本开始的,叙事问题与这个体系息息相关。对其进行深入研究,有助于从整体上把握詹姆逊的研究脉络与理论体系。本文试图从六个方面对其进行深入探讨: 一、导论。介绍叙事理论的发展演变以及国内外研究现状,主要是国内的研究。在对研究现状进行综合评述的基础上,本文将研究重点设定在詹姆逊的文学叙事理论的阐释、理论渊源、批评实践、特点等方面。二、对詹姆逊文学叙事理论的具体阐释。詹姆逊在《政治无意识》中提出了全新的叙事概念,称叙事是“一种社会的象征性行为”,将对叙事的研究引向了社会、文化层面。詹姆逊指出,观点对于叙事作品并不起决定性作用,比观点更为重要的是转调、半音过渡,电影的淡出或蒙太奇等发明。对具体的叙事作品,詹姆逊提出了三个解释视域:狭义的政治或历史的视域、社会的视域、最宽泛意义上的历史视域。在叙事阐释中,詹姆逊坚持了意识形态和乌托邦的双重视角。三、詹姆逊文学叙事理论的渊源。主要探讨拉康的“真实界”和无意识与语言的关系,阿尔都塞的历史作为缺场的原因、列维-斯特劳斯的“野性的思维”等对詹姆逊文学叙事理论的影响。四、詹姆逊文学叙事理论的批评实践。詹姆逊对巴尔扎克、吉辛、康拉德等小说家的作品进行了分析。对巴尔扎克小说中的“欲望”问题,吉辛小说中的意识形态素“愤懑”,康拉德小说中的传奇和物化作了叙事阐释。五、詹姆逊文学叙事理论的特点。詹姆逊的文学叙事理论具有鲜明的政治性、理论的杂糅性和从文学到文化的开放性。这一部分对这三个特点作了具体的分析。六、詹姆逊文学叙事理论的不足及启示。詹姆逊的文学叙事理论由于过于关
[Abstract]:Frederick Jameson is a representative of western Marxism, a famous postmodernist scholar and American literary theorist. Jameson's research involves many fields and has a wide and profound worldwide influence. However, the study of Jameson from the perspective of narrative theory is still relatively few, which is worthy of further discussion. Jameson's narrative theory is an organic part of his Marxist hermeneutics system. The establishment and critical practice of this system begins with the narrative text, and the narrative problem is closely related to this system. It is helpful to grasp Jameson's research context and theoretical system. This paper attempts to explore it from six aspects: Introduction. This paper introduces the development and evolution of narrative theory and the current research situation at home and abroad, mainly domestic research. On the basis of a comprehensive review of the present research situation, this paper focuses on the interpretation of Jameson's literary narrative theory, theoretical origin, criticism and practice, characteristics and so on. Second, the specific interpretation of Jameson's literary narrative theory. Jameson puts forward a new narrative concept in political unconscious, calling narrative a "symbolic act of society", which leads the study of narration to the social and cultural level. Jameson points out that opinion does not play a decisive role in narrative works, and more important than ideas are inventions such as tone conversion, semitone transition, film fading or montage. To the specific narrative works Jameson puts forward three interpretation horizons: narrow political or historical perspective social perspective and the broadest sense of historical perspective. In narrative interpretation, Jameson adheres to the dual perspective of ideology and utopia. Third, the origin of Jameson's literary narrative theory. This paper mainly discusses the relationship between Raakon's "reality" and unconsciousness and language, the history of Althusser as the cause of lack of field, and the influence of Levi Strauss's "wild thinking" on Jameson's literary narrative theory. Fourth, the critical practice of Jameson's literary narrative theory. Jameson analyzes the works of novelists such as Balzac, Gisin and Conrad. To the question of "desire" in Balzac's novels, the "resentment" of ideology in Gisin's novels, and the legend and materialization of Conrad's novels, the narrative explanation is given. Fifth, the characteristics of Jameson's literary narrative theory. Jameson's theory of literary narration has a distinct political character, a mixture of theory and openness from literature to culture. This part makes a concrete analysis of these three characteristics. Sixth, the deficiency and enlightenment of Jameson's literary narrative theory. Jameson's literary narrative theory is too close
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I045;I06

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