死亡之美——川端康成和余华死亡创作主题之比较

发布时间：2018-06-19 02:16

本文选题：川端康成 + 余华　；参考：《北京语言大学》2008年硕士论文

【摘要】： 人只要生下来就必须面对死亡,这是不可抗拒的自然规律。因此,死是每个人的将来,指一种最根本的现实可能性。在一般人看来,死亡是对生存的否定和剥夺,因而人们对死亡怀有一种本能的恐惧,死亡意识受到普遍的压抑。人们在日常生活中尽量避免谈论死亡,但是死亡作为一种自然规律和社会现象,人们对死亡的体验与思考,关于死亡的意识和话语则构成一个民族或社会文化系统中的重要组成部分。应该说,死亡是很多小说都涉足的话题,其表现形式也各不相同,本文所以特别关注川端康成和余华小说中的死亡,是因为死亡的意象与图景在他们的小说中凸现得如此醒目,出现的频率如此让人触目惊心。川端康成近三分之一的作品都与死亡紧密相连,是格外重视浓墨重彩大写“死”的作家。余华的小说,简直就是死亡与暴力的图画展示。川端康成和余华在他们有关描写死亡的作品中,共同诠释了他们对人类生存与死亡这一问题的理解和思考,因此,就其小说中的死亡读解无疑会了解二人深层的创作心理和其作品的独特魅力。由于相似的不幸的童年经历,社会环境,思想成因,川端康成与余华的作品都有以书写死亡为主题的作品。川端和余华都热衷于通过书写死亡来表达自己对人生的看法,表达自己的审美观,但表达方式不同,艺术风格迥异。本文试从作品中对共同死亡主题的不同内容,不同表达方式等方面,就川端康成与余华的共同创作主题进行横向的比较研究,探究两位作家青睐于书写该主题的原因,还强调了不同文化表达的终极意义,以期在这种比较中能对二位作家对死亡这一主题的书写有较清晰完整的认识。
[Abstract]:It is an irresistible law of nature that man must face death as long as he is born. Therefore, death is everyone's future, referring to the most fundamental realistic possibility. In general, death is the negation and deprivation of existence, so people have an instinctive fear of death, and the consciousness of death is generally suppressed. People try to avoid talking about death in their daily life, but death as a natural law and social phenomenon, people experience and think about death, Consciousness and discourse about death form an important part of a national or sociocultural system. It should be said that death is a topic that many novels are involved in, and its forms of expression are different. So this paper pays special attention to the death in Kawabata Yasunari and Yu Hua's novels, because the images and pictures of death are so prominent in their novels. The frequency of appearance is so shocking. Nearly 1/3 works of Kawabata Yasunari are closely related to death, and they attach great importance to death. Yu Hua's novel is a pictorial display of death and violence. In their works about death, Kawabata Yasunari and Yu Hua jointly interpret their understanding and thinking of the problem of human existence and death. The interpretation of death in his novels will undoubtedly understand their deep creative psychology and the unique charm of their works. Due to the similar unfortunate childhood experience, social environment, ideological causes, Kawabata Yasunari and Yu Hua have written works on the theme of death. Both Kawabata and Yu Hua are keen to express their views on life by writing death and express their own aesthetics, but in different ways and in different artistic styles. This paper tries to make a horizontal comparative study on the common theme of death and Yu Hua from the aspects of different contents and different expressions of the theme of common death in his works, so as to explore the reasons why the two writers prefer to write the theme. It also emphasizes the ultimate meaning of different cultural expressions in order to have a clear and complete understanding of the two writers' writing of the theme of death in this kind of comparison.
【学位授予单位】：北京语言大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I0-03;I106.4

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