材料色彩解读

发布时间：2018-09-11 11:15

【摘要】： 当代艺术中材料艺术是一个不得不谈的学科。进入20世纪以来,随着传统的艺术思维和价值判断的突破,艺术家对艺术材料的选择不再单一,而趋向多元化。科学技术的发展极大的丰富了艺术材料的种类,为材料语言成为作品的主体语言提供了外部条件。任何艺术材料都有转换成材料艺术的可能。经过语言秩序的调整,艺术材料从载体演化为主体。现成物进入作品与传统的绘画材料同时出现,形成新的艺术语言、新的审美和价值判断。本文从色彩理论的建立、发展出发,梳理出侧重物理学、化学、生理学角度的色彩认识体系和侧重生物学、心理学角度建构的站在人性与生命的立场上的色彩认识体系。当代艺术家在继承和发展这些理论系统的基础上建立了新的认识系统。材料艺术中的材料色彩与传统绘画中的色彩体系有交叉的部分,同时也会形成审美和价值判断的错位。这种交叉与错位为材料色彩的发展带来了更大空间。通过对19世纪末20世纪初以来的大师作品的分析,对材料色彩的基本概念与认识体系的梳理,解读材料色彩在当代艺术作品的语言秩序和语境中的地位与价值,分析对材料色彩的审美和价值判断。建立对材料色彩的清晰认识,为画面语言秩序的调整,为更好的使材料语言作为画面的主体语言,为作品语汇的精神性、文化性、当代性探索,为对材料艺术表现规律、不同语言关系规律的科学研究做好理论准备。
[Abstract]:Material art is a subject to be discussed in contemporary art. Since the 20th century, with the breakthrough of traditional artistic thinking and value judgment, artists' choice of artistic materials is no longer single, but tends to diversification. The development of science and technology has greatly enriched the variety of artistic materials and provided external conditions for material language to become the main language of works. Any art material can be converted into material art. After the adjustment of the language order, the artistic material evolves from the carrier to the main body. Ready-made objects come into the works at the same time as traditional painting materials, forming new artistic language, new aesthetic and value judgment. Starting from the establishment and development of the color theory, this paper combs out the color cognition system from the perspective of physics, chemistry and physiology and the color cognition system based on the standpoint of human nature and life from the point of view of biology and psychology. Contemporary artists have established a new understanding system on the basis of inheriting and developing these theoretical systems. The material color in the material art and the color system in the traditional painting are intersected, at the same time, the aesthetic and value judgment will be misplaced. This cross and dislocation for the development of material color has brought more space. Through the analysis of the masters' works since the end of the 19th century and the beginning of the 20th century, and the combing of the basic concepts and cognitive systems of the material color, the paper interprets the position and value of the material color in the language order and context of the contemporary works of art. Analysis of the material color aesthetic and value judgment. To establish a clear understanding of the material color, to adjust the language order of the picture, to make the material language as the main language of the picture, to explore the spiritual, cultural and contemporary nature of the works' vocabulary, and to explore the law of the artistic expression of the material. The scientific research on the laws of different language relations is well prepared for theory.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J063

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