宗白华艺术学思想研究
发布时间：2018-10-10 09:49
【摘要】：宗白华是中国现代美学、文艺学、艺术学的奠基人之一。宗白华的思想在20世纪80年代中期逐渐成为学术研究的热点,引来众多研究者的学术兴趣,但是学界更注目他的美学思想,对他的艺术学思想的全面研究至今没有力作产生。本文在唯物辩证法的指导下,运用历史的方法和理论联系实际的方法对宗白华的艺术学思想作全面的阐释,以帮助我们认清宗白华艺术学有哪些方面的创获,给予我们怎样的启示,更重要的是我们可以借此反思艺术学建设走过的历程,克服我们自身的研究弊端,建构二十一世纪的中国艺术学。 首先,阐释宗白华艺术学思想的形成和发展,突出宗白华艺术学思想在各个时期的不同特点,强调了他接受马克思主义之后,为他的艺术学思想增加了新质。 第二,主要阐释宗白华艺术学思想的“形而上”原理,宗白华确立了自己具有民族特色的生命哲学体系,“道、气、象、和”的四维结构与时空意识构成的生命哲学理论成为他生命哲学的基础。“道”是他生命哲学的元点;“气”是他生命哲学的母体;“象”是他生命哲学的形态;“和”是他生命哲学的至境,这是本文对宗白华生命哲学所作的独特阐释。时空意识是宇宙观的重要组成部分,宗白华的时空意识是《周易》的时空观和爱因斯坦的“四维空间”论的融合,爱因斯坦创立了相对论,批判了西方传统的那种割裂时空,割裂物质和空间的“静止空间”,阐释了他的“四维空间”理论,反复说明了空间和时间是物质和场的载体,时空融合成为一个具有四维结构的世界。爱因斯坦的四维空间是时空统一的,大大拓展了人们的思维空间,这种空间理论使得我们的观察由空间的静态转向动态,具有重要的价值,宗白华吸取了爱因斯坦的这一时空观,与中国的《周易》时空意识融合起来,形成了自己独特的时空意识。 第三,主要阐释宗白华艺术学思想体系的构建,包括艺术学的研究对象和方法,艺术创造论、艺术欣赏论、艺术形式论、艺术价值论等内容;其中分析了宗白华的艺术天才理论,认为宗白华借鉴了康德、叔本华的观点并有所超越。康德认为天才具有想象的能力,独创性是天才的第一特性,并认为这种想象力是自然的天赋;宗白华借鉴了康德的理论,认为艺术天才具有独创的想象力,但不同于康德,他认为这种想象力是艺术家日积月累后的突然贯通,并不是先天的禀赋,天才有待于勤苦的工作。可见,宗白华没有完全照搬康德的观点,他在借鉴中有所超越,有所创见。叔本华认为天才不同于普通人在于天才能摆脱意志,掌握理念,表现出一种对欲求没有任何关系的认识即纯粹认识,天才的智慧占多而意志
[Abstract]:Zong Baihua is one of the founders of Chinese modern aesthetics, literature and art. Zong Baihua's thought gradually became the hot spot of academic research in the middle of 1980s, which attracted the academic interest of many researchers, but the academic circles paid more attention to his aesthetic thought, so far, the comprehensive study of his artistic thought has not been produced. Under the guidance of materialist dialectics, this paper makes a comprehensive explanation of Zong Baihua's thought of art by using the historical method and the method of integrating theory with practice, in order to help us recognize the achievements of the art theory of Zong Baihua. What enlightens us more important is that we can reflect on the course of art construction, overcome the disadvantages of our own research, and construct Chinese art in the 21 ~ (th) century. First of all, it explains the formation and development of Zong Baihua's thought of art, highlights the different characteristics of Zong Baihua's thought of art in every period, and emphasizes that after he accepted Marxism, he added new quality to his thought of art. Second, it mainly explains the "metaphysical" principle of Zong Baihua's thought of art. Zong Baihua has established his own life philosophy system with national characteristics, "Tao, Qi, Xiang," The four-dimensional structure of "he" and the theory of life philosophy formed by space-time consciousness become the basis of his philosophy of life. Tao is the basic point of his philosophy of life; Qi is the mother body of his philosophy of life; "elephant" is the form of his philosophy of life; and "harmony" is the origin of his philosophy of life, which is the unique interpretation of Zong Baihua's philosophy of life in this paper. The space-time consciousness is an important part of the cosmology. Zong Baihua's space-time consciousness is a fusion of the space-time view of the "Book of changes" and Einstein's "four-dimensional space" theory. Einstein created the theory of relativity and criticized the splintered space-time of the western tradition. In this paper, the "static space" of material and space is separated, his theory of "four dimensional space" is explained, and it is repeatedly explained that space and time are carriers of matter and field, and space-time merges into a world with four-dimensional structure. Einstein's four-dimensional space is space-time unified, greatly expanding people's thinking space, this kind of space theory makes our observation from the static space to the dynamic, has the important value. Zong Baihua absorbed Einstein's idea of time and space and fused it with Chinese consciousness of time and space and formed his own special consciousness of time and space. Thirdly, it mainly explains the construction of Zong Baihua's thought system of art, including the research object and method of art, the theory of artistic creation, the theory of art appreciation, the theory of art form, the theory of art value and so on. It analyzes Zong Baihua's theory of artistic genius, and concludes that Zong Baihua draws lessons from Kant's and Schopenhauer's views and transcends them. Kant holds that genius has the ability to imagine and originality is the first characteristic of genius and that this imagination is a natural gift. Zong Baihua draws lessons from Kant's theory that artistic genius has original imagination but is different from Kant. He believes that this imagination is an artist after a sudden penetration, is not a congenital gift, genius has to work hard. Visible, Zong Baihua did not copy Kant's point of view completely, he has surmounted in drawing lessons from, have originality. Schopenhauer believes that genius is different from ordinary people in their ability to get rid of the will, to master the idea, and to show a kind of understanding that has nothing to do with desire, that is, pure knowledge. The genius has more wisdom than will.
【学位授予单位】：山东师范大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J01
本文编号：2261313
[Abstract]:Zong Baihua is one of the founders of Chinese modern aesthetics, literature and art. Zong Baihua's thought gradually became the hot spot of academic research in the middle of 1980s, which attracted the academic interest of many researchers, but the academic circles paid more attention to his aesthetic thought, so far, the comprehensive study of his artistic thought has not been produced. Under the guidance of materialist dialectics, this paper makes a comprehensive explanation of Zong Baihua's thought of art by using the historical method and the method of integrating theory with practice, in order to help us recognize the achievements of the art theory of Zong Baihua. What enlightens us more important is that we can reflect on the course of art construction, overcome the disadvantages of our own research, and construct Chinese art in the 21 ~ (th) century. First of all, it explains the formation and development of Zong Baihua's thought of art, highlights the different characteristics of Zong Baihua's thought of art in every period, and emphasizes that after he accepted Marxism, he added new quality to his thought of art. Second, it mainly explains the "metaphysical" principle of Zong Baihua's thought of art. Zong Baihua has established his own life philosophy system with national characteristics, "Tao, Qi, Xiang," The four-dimensional structure of "he" and the theory of life philosophy formed by space-time consciousness become the basis of his philosophy of life. Tao is the basic point of his philosophy of life; Qi is the mother body of his philosophy of life; "elephant" is the form of his philosophy of life; and "harmony" is the origin of his philosophy of life, which is the unique interpretation of Zong Baihua's philosophy of life in this paper. The space-time consciousness is an important part of the cosmology. Zong Baihua's space-time consciousness is a fusion of the space-time view of the "Book of changes" and Einstein's "four-dimensional space" theory. Einstein created the theory of relativity and criticized the splintered space-time of the western tradition. In this paper, the "static space" of material and space is separated, his theory of "four dimensional space" is explained, and it is repeatedly explained that space and time are carriers of matter and field, and space-time merges into a world with four-dimensional structure. Einstein's four-dimensional space is space-time unified, greatly expanding people's thinking space, this kind of space theory makes our observation from the static space to the dynamic, has the important value. Zong Baihua absorbed Einstein's idea of time and space and fused it with Chinese consciousness of time and space and formed his own special consciousness of time and space. Thirdly, it mainly explains the construction of Zong Baihua's thought system of art, including the research object and method of art, the theory of artistic creation, the theory of art appreciation, the theory of art form, the theory of art value and so on. It analyzes Zong Baihua's theory of artistic genius, and concludes that Zong Baihua draws lessons from Kant's and Schopenhauer's views and transcends them. Kant holds that genius has the ability to imagine and originality is the first characteristic of genius and that this imagination is a natural gift. Zong Baihua draws lessons from Kant's theory that artistic genius has original imagination but is different from Kant. He believes that this imagination is an artist after a sudden penetration, is not a congenital gift, genius has to work hard. Visible, Zong Baihua did not copy Kant's point of view completely, he has surmounted in drawing lessons from, have originality. Schopenhauer believes that genius is different from ordinary people in their ability to get rid of the will, to master the idea, and to show a kind of understanding that has nothing to do with desire, that is, pure knowledge. The genius has more wisdom than will.
【学位授予单位】：山东师范大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J01
【引证文献】
相关博士学位论文 前1条
1 张路平;蔡龙云武学思想研究[D];上海体育学院;2011年
相关硕士学位论文 前3条
1 于m8;中国现代美学中“艺术”概念的演变[D];四川师范大学;2009年
2 赵靖;论宗白华诗画美学思想[D];沈阳师范大学;2012年
3 孟德鸿;宋代植物纹饰意蕴研究[D];齐齐哈尔大学;2012年
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