生命美学视界中文学意境问题研究
发布时间:2018-10-22 10:29
【摘要】: “意境”这一概念一经产生就被文艺界关注,最先出现于诗歌创作与批评鉴赏,后被运用于空间艺术,几乎涉足所有的艺术领域,它是所有艺术的共同审美追求。对于文学意境的审美,也是我国艺术实践和艺术理论上众说纷纭的重要课题之一。意境作为中国传统美学的核心范畴,千百年来吸引着众多学者对其进行不同层面的探究,这一古老而又年轻的课题具有经久不衰的生命力。 本文主旨并不在于为中国文学中意境这一古老的范畴下一个准确的定义,而是对文学意境进行历时性的考察:梳理古代美学史上主要的“意境”观点,广泛吸纳20世纪的“意境”研究成果,对比总结20世纪以来生命美学与实践美学视界中的意境说,分析两种理论视界对意境内涵的界定以及对意境“情”、“景”因素的理解。从这纵横两条线索的交叉并进过程中,试图挖掘意境这一古老美学范畴的生命美学内涵。在生命美学的视界中探讨文学意境这一置根于中国文化最深层的美学范畴,强调生命存在对审美的价值构成和终极意义的本体地位。纵观意境的研究历程其经久不衰的生命力正在于意境具有深厚的哲学内涵,是中华民族生命意识的洋溢。本文欲对感性的意境作理性的把握,只期对相关研究有一些助益。
[Abstract]:The concept of "artistic conception" was concerned by the literary and art circles as soon as it came into being. It first appeared in poetry creation and critical appreciation, and then was applied to space art. It is the common aesthetic pursuit of all art. Aesthetic appreciation of literary artistic conception is also one of the important topics in art practice and art theory in China. As the core category of Chinese traditional aesthetics, artistic conception has attracted many scholars to explore it in different levels for thousands of years. This ancient and young subject has enduring vitality. The purpose of this paper is not to give an accurate definition of the ancient category of artistic conception in Chinese literature, but to make a diachronic investigation of the artistic conception of literature: to sort out the main "artistic conception" views in the history of ancient aesthetics. This paper extensively absorbs the research achievements of "artistic conception" in the 20th century, compares and summarizes the artistic conception theory in the field of life aesthetics and practical aesthetics since the 20th century, and analyzes the definition of the connotation of artistic conception and the understanding of the factors of "emotion" and "scene" of artistic conception in the two theoretical horizons. In the process of intersecting the two clues, this paper tries to excavate the aesthetic connotation of life in the ancient aesthetic category of artistic conception. This paper probes into the literary artistic conception, which is rooted in the deepest aesthetic category of Chinese culture, from the perspective of life aesthetics, and emphasizes the Noumenon position of the life being to the aesthetic value composition and ultimate meaning. Throughout the research process of artistic conception, its enduring vitality lies in the profound philosophical connotation of artistic conception and the permeation of the Chinese nation's life consciousness. This article wants to make the rational grasp to the perceptual artistic conception, only has some help to the related research.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:I01
本文编号:2286908
[Abstract]:The concept of "artistic conception" was concerned by the literary and art circles as soon as it came into being. It first appeared in poetry creation and critical appreciation, and then was applied to space art. It is the common aesthetic pursuit of all art. Aesthetic appreciation of literary artistic conception is also one of the important topics in art practice and art theory in China. As the core category of Chinese traditional aesthetics, artistic conception has attracted many scholars to explore it in different levels for thousands of years. This ancient and young subject has enduring vitality. The purpose of this paper is not to give an accurate definition of the ancient category of artistic conception in Chinese literature, but to make a diachronic investigation of the artistic conception of literature: to sort out the main "artistic conception" views in the history of ancient aesthetics. This paper extensively absorbs the research achievements of "artistic conception" in the 20th century, compares and summarizes the artistic conception theory in the field of life aesthetics and practical aesthetics since the 20th century, and analyzes the definition of the connotation of artistic conception and the understanding of the factors of "emotion" and "scene" of artistic conception in the two theoretical horizons. In the process of intersecting the two clues, this paper tries to excavate the aesthetic connotation of life in the ancient aesthetic category of artistic conception. This paper probes into the literary artistic conception, which is rooted in the deepest aesthetic category of Chinese culture, from the perspective of life aesthetics, and emphasizes the Noumenon position of the life being to the aesthetic value composition and ultimate meaning. Throughout the research process of artistic conception, its enduring vitality lies in the profound philosophical connotation of artistic conception and the permeation of the Chinese nation's life consciousness. This article wants to make the rational grasp to the perceptual artistic conception, only has some help to the related research.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:I01
【参考文献】
相关期刊论文 前10条
1 古风;关于当前意境研究的几个问题——答王振复兼与叶朗、王文生商榷[J];复旦学报(社会科学版);2004年05期
2 孔建英;论意境的渊源及其特征[J];湖北大学学报(哲学社会科学版);1996年06期
3 林衡勋;论意境内涵的层次结构[J];江苏大学学报(社会科学版);2004年05期
4 姚君喜;意境形成的哲学基础探源[J];兰州大学学报;2000年04期
5 王建疆;诗歌意境中哲学智慧的结构分析[J];兰州大学学报;2004年02期
6 刘成纪;;重谈中国美学意境之诞生[J];求是学刊;2006年05期
7 刘恒健;中国哲学的天人合一与西方哲学的主客二分——兼与张世英先生商榷[J];陕西师大学报(哲学社会科学版);1993年03期
8 赵铭善;论意境的概念及其三个规定性[J];文艺理论与批评;1989年02期
9 叶朗;再说意境[J];文艺研究;1999年03期
10 吴慧洁,黄慧薇;近五年“意境”研究论文及作者分析评价[J];湛江师范学院学报;1999年02期
,本文编号:2286908
本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/2286908.html