文学意义的审美阐释

发布时间：2018-10-30 06:36

【摘要】：本文从海德格尔创立的存在哲学介入,在充分展示伽达默尔的哲学解释学对西方诗学与中国文论的本体论转换的影响的基础上,以文本意义与理解事件概念为中心,探究作为当代中西文学评论核心理念的"意义生成"问题的缘起、特质和本体论意义,阐发了文学解释学的本真蕴涵及其根本观念,意在展示出当代解释学与文学评论以及当下生活的密切关系,以达到对人文和精神科学的全新理解和把握。文学解释学视域中对意义的追寻和探求,涵盖三个层面:一是文学解释学的理论蕴涵和发生语境;二是文学解释学的认识论和方法论阐释语境,彰显文学意义阐释的本体存在之维;三是文学审美意义观的追索与建构,进而勾勒出由文本"方法论"转向意义"本体论"的历程。
[Abstract]:On the basis of the intervention of existential philosophy established by Heidegger and the full demonstration of Gadamer's philosophical hermeneutics on the ontological transformation between western poetics and Chinese literary theory, this paper focuses on the concept of textual meaning and understanding of events. This paper explores the origin, characteristics and ontological significance of the issue of "meaning generation", which is the core concept of contemporary Chinese and western literary criticism, and expounds the original implication and fundamental concept of literary hermeneutics. It is intended to show the close relationship between contemporary hermeneutics and literary criticism as well as contemporary life in order to achieve a new understanding and grasp of humanities and spiritual science. The pursuit and exploration of meaning in the field of literary hermeneutics covers three aspects: first, the theoretical implication and context of literary hermeneutics; Second, the epistemology and methodology of the literary hermeneutics explain the context of interpretation, showing the Noumenon of the interpretation of literary meaning. The third is the pursuit and construction of literary aesthetic sense, and then outlines the process from text methodology to meaning ontology.
【作者单位】：山东师范大学;
【基金】：作者主持的山东省社会科学规划研究青年项目《诠释学视野下文学意义的本体论研究》(项目批准号:11DWXJ11)的阶段性研究成果
【分类号】：I01

【共引文献】