探析我国意境理论的思想根源与现代启示

发布时间：2017-12-26 22:27

本文关键词：探析我国意境理论的思想根源与现代启示　出处：《河南社会科学》2016年07期 　论文类型：期刊论文

【摘要】：艺术意境是中国古典美学一个重要范畴,应从中国传统的天人合一思想来探求它的内涵。中国古代思想的根本核心是"天人合一",包括中国哲学、文学、社会学等,深究下去最终都要回到"天人合一"上面来。天人合一思想反映在艺术追求上形成了意境理论。意境从根本上说就是情与景的统一、物与我的统一、人与所描绘对象的统一。近代西学东渐,区分"有我之境""无我之境",实质是对传统意境理论不必要的割裂。意境是思想,也是状态。它是人道和艺道的一体化,也是情景高度交融、虚实相生的超然时空,还可狭义指称一种含蓄隽永的风格。区分三个层面的意境内涵对于深化对我国传统艺术理论的认识有现实意义。
[Abstract]:Artistic conception is an important category of Chinese classical aesthetics, and it should be explored from the traditional Chinese unity of nature and man. The core of Chinese ancient thought is "harmony between man and nature", including Chinese philosophy, literature and sociology. The idea of harmony between heaven and man reflects the theory of artistic conception in the pursuit of artistic pursuit. In essence, the mood is the unity of love and scenery, the unity of things and me, and the unity of the objects and the objects that are depicted. The modern western learning, the distinction between "youwo" and "Wuwo", is the essence of the traditional conception of the theory of unnecessary fragmentation. The artistic conception is the thought and the state. It is the integration of humanity and art, but also a high degree of integration of virtual and real scene, detached space, can also refer to a special implicit style. It is of practical significance to distinguish the connotation of three levels of artistic conception to deepen the understanding of Chinese traditional art theory.
【作者单位】：北京师范大学艺术与传媒学院;
【分类号】：I01
【正文快照】： 我国当代艺术呈现出繁花似锦的景象,相应地艺术理论也与时俱进地探索确立有中国特质的学术体系。在这样的时代背景下,梳理丰富的传统艺术观念和艺术精神,无疑会对当代艺术思想创新和理论体系建立有所促进。而在探寻传统艺术精神的命题之下,意境理论是一个回避不开的话题。艺术

【相似文献】