对中国当代艺术后殖民化的思考

发布时间：2018-01-11 14:02

本文关键词：对中国当代艺术后殖民化的思考　出处：《苏州大学》2010年硕士论文　论文类型：学位论文

【摘要】： 中文提要:“后殖民化”一直是中国当代艺术受批判最多,争论声最响的问题,也成为中国当代艺术发展最大的障碍。批评家们一致指责西方文化侵略,但指责不能发展当代艺术,不能解决文化侵略问题,重新审视“后殖民主义”,寻找造成中国当代艺术“后殖民化”的真正“元凶”,更正自身问题才能最终得到发展。本文首先分析了中国的特殊国情,认为萨伊德的《东方学》观点并不完全适合中国。之后又通过对中国民族自信心缺失、自我身份认同错位、“本土”文化断层、艺术体制、过度商业化、中国当代艺术教育等问题的分析,揭示了在中国这个没有殖民化背景的国家当代艺术出现“后殖民化”的真正根源。
[Abstract]:Abstract: "Post-colonization" has always been the most criticized and controversial issue in Chinese contemporary art, and has also become the biggest obstacle to the development of Chinese contemporary art. Critics have unanimously accused the Western culture of aggression. However, he criticized that he could not develop contemporary art, could not solve the problem of cultural aggression, re-examine "post-colonialism", and look for the real "culprit" who caused the "post-colonization" of Chinese contemporary art. Only by correcting our own problems can we finally develop. This paper first analyzes the special national conditions of China and thinks that Saeed's "Orientalism" view is not entirely suitable for China. Then through the lack of confidence in the Chinese nation, self-identity dislocation. "Native" cultural fault, art system, excessive commercialization, Chinese contemporary art education and other issues. It reveals the real root of post-colonization in contemporary art in a country with no background of colonization.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J124

【参考文献】