艺术公共性的建构：上海城市公共艺术史论

发布时间：2018-01-11 14:08

本文关键词：艺术公共性的建构：上海城市公共艺术史论　出处：《复旦大学》2009年博士论文　论文类型：学位论文

【摘要】： 本文以上海城市公共艺术作为主要研究对象，着重探讨城市公共艺术之公共性的历史性建构问题。城市公共艺术的“公共性”并非是个一成不变的抽象概念，其具体内涵始终处于一种不断变化的历史性建构和生成过程之中。论文按照“近代开埠的初创期——建国十七年重建期——‘文革’十年动乱——新时期的繁荣发展期”的历史发展序列，在对上海城市公共艺术进行基本历史梳理和各期主要作品进行案例分析的基础上，探讨上海的城市公共艺术在特定历史语境中的公共性功能和公共意义指向，以及各方力量和社会公众群体在围绕作品展开的公共交流和对话中传达出来的公共性讯息与表达的价值诉求等问题。以探求社会文化语境的历史变迁中，上海的城市公共艺术在具体的公共性内涵上发生了哪些变化，公共性的建构过程又受到哪些群体、社会因素和意识形态的影响。本文主要由绪论、作为主体的四章和结论三大部分组成：绪论部分，在对城市公共艺术的研究缘起和研究现状进行基本介绍的同时，对城市公共艺术当中的公共性和公共交流功能等基本概念加以简要的理论梳理，，并说明本研究的问题侧重点、研究对象、叙述框架。第一章分别论述上海近代开埠以后由殖民者、中国人建造的公共纪念碑和雕塑各自传达了哪些政治讯息和价值观念，以及它们具有何种公共性内涵和功能。第二章通过对建国十七年在上海城市公共空间中建造和设立的公共纪念碑雕塑的分析研究，探讨这个时期上海城市公共艺术的公共性功能和公共性内涵问题。第三章结合“文革”的社会文化背景和意识形态语境对十年间上海建造的毛泽东塑像、塑造“工农兵”和英雄人物形象的雕塑进行公共性的解读，并探讨特定的政治意识形态是如何建构和赋予这一时期公共艺术公共特性的。第四章涉及的主要是新时期以来的上海城市公共艺术的公共性问题，通过对不同空间区域中的作品分析，说明在城市空间区域化和城市文化多元化的发展过程中，城市公共艺术的公共性体现出多元化的发展趋向。结论部分，根据前面章节的分析论述得出，公共艺术的公共性是一个受历史变迁影响，且始终处于一种历史性建构过程中的变化的概念。而且，无论公共艺术的公共性内涵怎样变化，它都始终以艺术的方式介入到了社会“公共领域”——无论是政治公共领域，还是公共生活领域——当中，并作为一种社会群体在“公共领域”中进行自我表达和表现的媒介，与社会现实保持着密切的互动，从而才实现了其公共性的价值，发挥了社会认同和社会整合的公共功能。
[Abstract]:This paper, taking the urban public art of Shanghai as the main research object, focuses on the historical construction of the public art of urban public art.
City Public Art "public" is not immutable and frozen abstract concept, its connotation is always in a constantly changing history of the generation and construction process. The historical development of sequence5 in accordance with the "start-up period in modern times -- the seventeen years reconstruction period -- the" Cultural Revolution "in the ten years of turmoil, the prosperity of the new period of development during the period, in the city of Shanghai public art of history and the main works are based on the analysis of the case study, pointing to the city public art in Shanghai public function in the specific historical context and significance of the public, and all forces and public groups in public exchanges and dialogue around the works of communication and the expression of public messages out of the pursuit of value and other issues. To explore the historical changes of the social and cultural context, Shanghai City Public Art What changes have taken place in the concrete connotations of public nature and the influence of which groups, social factors and ideology are influenced by the construction process of the public nature.
This article is mainly made up of the introduction, which is composed of four chapters and three main parts of the main body:
The introduction part gives a basic introduction in the study of the origin and research status of city public art at the same time, the basic concept of city public art among the public and public communication function to theories briefly, and explains the problem of this study focus, research object, narrative framework.
In the first chapter, what political messages and values are conveyed by the public monuments and sculptures built by the settlers and the Chinese after the opening of Shanghai's modern ports, and their public connotations and functions?
In the second chapter, through the analysis and research of the public monument sculpture built and set up in the urban public space of Shanghai during the seventeen years after the founding of the people's Republic of China, we discuss the public function and public connotation of Shanghai's public art in this period.
The third chapter of the "Cultural Revolution" of the social and cultural background and ideology context building for ten years in Shanghai Mao Zedong statue, shaping the "peasants and soldiers" and the hero image of the sculpture of the public, and to explore the specific political ideology is how to construct and give this period of public art characteristics of the public.
The fourth chapter mainly involves the public problems of Shanghai city public art since the new period, according to the different spatial regions in the analysis of works, in the city space and city regional cultural diversity in the development process of city public art public reflect the development trend of diversification.
The conclusion part, according to the analysis on the front section of the draw, public art is a historical change, and always in a concept of historical changes in the process of construction. Moreover, whether the public connotation of public art to change, it is always in an artistic way involved in social public "the field" -- whether in politics or public life, public domain, domain, and as a social group in the "public domain" self expression and the performance of the media, to maintain a close interaction with the social reality, thus has realized its public value, play a public function of social identity and social integration.

【学位授予单位】：复旦大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J120.9

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