论听觉美的双重形态

发布时间：2018-02-03 20:34

本文关键词： 听觉美音乐美形式美内涵美　出处：《浙江工商大学学报》2017年05期 　论文类型：期刊论文

【摘要】：剖析和把握听觉美,必须承认形式美与内涵美的区别,不能将二者混为一谈。所谓"听觉美",指能够直接唤起听觉愉快的音响美。它实际上表现为单纯由音响引起听觉愉快的形式美与由想象、联想、理解引起愉快的内涵美。文章从音频、音高、音强、音色、音质、音长、音密入手,剖析了听觉—音响美的物理基础和生理机制,讨论了以"旋律""和声""节奏"为主的音乐的纯形式美和建立在理解、想象、联想基础上的音乐的内涵美,提出了兼顾听觉美的双重形态,反对偏于一端的基本美学观。
[Abstract]:To analyze and grasp the beauty of hearing, we must admit the difference between the beauty of form and the beauty of connotation. Refers to the sound beauty which can directly arouse the sound pleasure. It is actually the formal beauty of the auditory pleasure caused by the sound and the connotation beauty of imagination association and understanding. This paper analyzes the physical basis and physiological mechanism of auditory and acoustic beauty, discusses the pure formal beauty of music with "melody" and "harmony" rhythm, and establishes itself in understanding and imagination. The connotative beauty of music on the basis of association puts forward the dual form of giving consideration to the beauty of hearing and opposing the basic aesthetic view which is biased to one end.
【作者单位】：上海政法学院美学研究中心;
【基金】：国家社会科学基金后期资助项目“乐感美学”(14FZW004)
【分类号】：J01
【正文快照】： 韦伯斯特大学辞典这样界定“美”:“一个人或一种事物具有的品质或品质的综合,它愉悦感官或使思想或精神得到愉快的满足。”[1]这后一句话对把握美的双重形态很有指导意义。美的形态千姿百态,但基本形态可分为两类,即“愉悦感官”的美或“使思想得到愉快的满足”的美。黑格尔

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