当代中国艺术批评体系的建构问题

发布时间：2018-03-26 07:13

本文选题：当代中国　切入点：艺术学理论　出处：《艺术百家》2016年04期

【摘要】：中国当代艺术批评体系的学术建构目前并没有形成学科化、体系化的批评范式。现在,艺术批评的主要方法还是在艺术风格论的分析模式上,这种模式的分析母题基本上都是"文学性的",像"思想主题""情节结构"和"人物性格"等。中国当代艺术批评要建立属于艺术批评自身的美学范式,就要改变中国艺术批评文学性的分析模式,用艺术批评的美学概念去置换普遍使用的文学概念;同时改变艺术批评哲学化的表达方式,用一种诗意的、审美的表达方式去替换那种意念的、抽象的哲学表达方式;改变艺术批评从属于创作的附庸地位,确立艺术批评的独立存在价值,使其成为一种与艺术理论和艺术史学等量齐观的学科体系;改变艺术批评单向度的评价标准,整合对艺术作品的综合评价标准,建立一种具有专业性、科学性、客观性、共同性的评价体系。
[Abstract]:At present, the academic construction of Chinese contemporary art criticism system has not formed a disciplinary and systematic criticism paradigm. Now, the main method of art criticism is the analysis mode of art style theory. The analysis motif of this mode is basically "literariness", such as "thought theme", "plot structure" and "character". It is necessary to change the analytical mode of literariness in Chinese art criticism, to replace the commonly used literary concepts with the aesthetic concepts of artistic criticism, and to change the way of expressing art criticism in a philosophical way, using a poetic one. Aesthetic expression to replace that kind of idealistic, abstract philosophical expression, to change the art criticism subordinate to the creation of the status of vassal, to establish the independent existence of artistic criticism value, To make it a discipline system equal to art theory and art history, to change the evaluation standard of art criticism in one direction, to integrate the comprehensive evaluation standard of art works, to establish a kind of professional, scientific and objective, A common evaluation system.
【作者单位】：中国艺术研究院;
【分类号】：J05

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