文学与思想:“视域歧分”视角下的一个纵深考察

发布时间：2018-04-15 22:03

  本文选题：文学与思想 + 视域歧分　； 参考：《中国比较文学》2017年02期

【摘要】：论文从"视域歧分"的视角考察了文学与思想的历史关联,指出西方文化基于"同一性"的真理观奠定了"原本"与"摹本"、"理性"与"欲望"、"推理"与"叙述"等一系列二元对立的思维模式,与此相应,思想(哲学)取得了对文学的支配地位。古代中国文化虽然也重统贯之"一",并有"文""道"之分,却未建立哲学与文学的文类对立。论文以海德格尔为个案辨析了"诗""思"合一的哲学内蕴及具体表现,并对文学的思想史研究提出了一些自己的见解。
[Abstract]:This paper examines the historical relationship between literature and thought from the perspective of "disambiguation of vision".It is pointed out that the truth view of western culture based on "identity" has established a series of binary opposite thinking modes, such as "original" and "copy", "reason" and "desire", "reasoning" and "narration".Thought (philosophy) has gained a dominant position in literature.Although ancient Chinese culture also emphasized "one", and there were "literature" and "Tao", there was no correspondence between philosophy and literature.This paper takes Heidegger as a case to analyze the philosophical connotation and concrete expression of "poetry" and "thought", and puts forward some views on the study of literary history of thought.
【作者单位】： 上海师范大学国家重点学科比较文学与世界文学中心;
【基金】：上海高校高峰学科建设计划资助“中国语言文学”的阶段性成果
【分类号】：I0-02
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本文编号：1755978