论口头诗学对传统文学理论的超越

发布时间：2018-05-17 04:00

本文选题：口头诗学 + 边界　；参考：《民族文学研究》2016年05期

【摘要】：口头诗学在半个世纪前诞生,二十余年前经由朝戈金等学者译介到国内。自口头诗学诞生以来,其边界不断扩张,在理论、田野和介质上都突破了最初的外延,加入到世纪之交大文学理论越界、扩容、去界域的趋势中。口头诗学的建构本身就是多种范式共生、多元形态的对话,它在历史形成的范式基础上预留了新形式的可能性,并且由"间性"场域实现其多样性特征。这一理论的出现,代表了上个世纪中叶民间文艺学领域对于西方美学与批评中的"文本中心论"之呼应与反叛,实现了对传统书面文学理论的超越。
[Abstract]:Oral poetics was born half a century ago. Since the birth of oral poetics, the boundary of oral poetics has been continuously expanded, and its initial extension has been broken through in theory, field and medium, and it has been added to the trend that the great literary theory has crossed, expanded and gone beyond the boundary at the turn of the century. The construction of oral poetics itself is a dialogue of multiple paradigms and multiple forms. It reserves the possibility of new forms on the basis of historical paradigms, and realizes its diverse characteristics by "intertemporal" field. The emergence of this theory represents the echo and rebellion of the "text-centered theory" in western aesthetics and criticism in the field of folk literature and art in the middle of the last century, which has achieved the transcendence of the traditional theory of written literature.
【作者单位】：中国社会科学院民族文学研究所;
【基金】：国家社会科学基金青年项目“建构藏族文艺批评史的纲要与路径研究”(项目编号:14CZW069)阶段性成果
【分类号】：I0

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