论赵宪章形式美学及其文学形式研究

发布时间：2018-05-18 05:47

本文选题：赵宪章 + 形式美学　；参考：《浙江师范大学》2016年硕士论文

【摘要】：赵宪章形式美学研究,从形式到文本,经历了理论梳理与基础建构、文本研究实践和形式理论检验的过程。他把“通过形式阐发意义”,通过文学文本形式分析阐发文学思想的方法称之为“形式美学方法”,意在走出纯形式分析的局限,摆脱脱离文本的空谈,探寻中国文艺学新的生长点。本文就是从其理论发展的基础——马克思主义文艺美学出发,以形式美学研究作为整篇文章的理论统摄和重点,旨在阐述赵宪章形式美学之于文学形式研究及中国文学新发展的重要意义。绪论主要论述了形式美学在国外的研究情况,国内对赵宪章的形式美学研究进行的讨论以及赵宪章形式美学研究主要囊括的内容及其意义。第一章主要论述了赵宪章形式美学研究的基本内涵。从赵宪章对马克思主义文艺美学的研究开始,对形式的关注就已经渐渐显露。马克思主义文艺美学渗入到赵宪章的文艺思想之中,构成了其形式美学研究的哲学及方法论基础。形式作为西方具有本源性意义的范畴,从哲学到美学,对其进行的概念梳理对形式美学的建立具有基础性作用。形式美学的理论建构,在历史与逻辑相统一的方法中得以上升至历史性的与学理性共存的高度；同时,赵宪章的研究中,形式美学作为一种研究方法,是对文学研究的传统主题学方法的补充和反驳,是更贴近文学本质的研究方法。第二章论述了赵宪章文学形式研究中的形式美学方法。赵宪章将形式美学作为研究方法应用于文学形式研究之中,即“通过形式阐发意义”。从文本理论入手研究文学的形式问题是赵宪章文学形式研究的最主要特点。基于文本理论,赵宪章进行了文本调查,并且运用其形式美学方法——通过形式阐发意义,在文体研究、文本形式研究之中验证其形式美学构建理想。赵宪章认为文学的第一要义在于语言形式,而文学研究只有从形式入手才能发现文学本身所是。第三章论述了赵宪章文学与图像关系研究。文学与图像关系是一个形式美学命题,归于赵宪章的形式美学研究之中。赵宪章研究中的图像是“文学中的图像”,文学与图像的关系研究是中国文学新发展之新学,是形式美学乃至文学研究之中应有之义。文学与图像关系研究以“语图符号学”为方法,以“语—图”互文研究为核心,探求二者共性,以获得对二者关系的客观认识。作为文学形式研究的最新成果,在新媒体发展迅速的时代,赵宪章的文学与图像关系研究对于文学发展来说具有很强的现实意义。
[Abstract]:From form to text, Zhao Xuan's study of formal aesthetics has gone through the process of theoretical combing and basic construction, text research practice and formal theoretical examination. He called the methods of "elucidating the meaning through form" and the method of analyzing and expounding literary thoughts through the form of literary texts as "formal aesthetic methods", in order to get out of the limitation of pure formal analysis and to get rid of the empty talk of breaking away from the text. To explore the new growth point of Chinese literature and art. This paper is based on the theoretical development of Marxist aesthetics of literature and art, taking the study of formal aesthetics as the theoretical unity and focus of the whole article. The purpose is to expound the significance of Zhao Xuan's formal aesthetics to the study of literary form and the new development of Chinese literature. The introduction mainly discusses the research situation of formal aesthetics in foreign countries, the domestic discussion on Zhao Xuan's formal aesthetics and the contents and significance of Zhao Xuan's formal aesthetics. The first chapter mainly discusses the basic connotation of Zhao Xuan's study of formal aesthetics. From Zhao Xuan's study of Marxist aesthetics of literature and art, the attention to form has been gradually revealed. Marxist aesthetics of literature and art seeped into Zhao Xuan's literary and artistic thoughts and formed the philosophical and methodological basis of his study of formal aesthetics. Form, as a category with original meaning in the West, from philosophy to aesthetics, its concept combing plays a fundamental role in the establishment of formal aesthetics. The theoretical construction of formal aesthetics, in the method of unifying history and logic, has been raised to the level of coexistence of history and learning reason, meanwhile, in Zhao Xuan's research, formal aesthetics is regarded as a kind of research method. It is a supplement and refutation to the traditional thematic methods of literary research, and a research method closer to the essence of literature. The second chapter discusses the formal aesthetic method in the study of Zhao Xuan's literary form. Zhao Xuan applied formal aesthetics as a research method to literary form study, namely "expounding meaning through form". It is the main characteristic of Zhao Xuan's literary form study to study the form of literature from the text theory. Based on the text theory, Zhao Xuan makes a textual investigation, and uses his formal aesthetic method to explain the meaning through formal analysis, and to verify his ideal of formal aesthetics construction in the study of stylistic and textual forms. Zhao Xuan thinks that the first meaning of literature lies in the form of language. The third chapter discusses the relationship between Zhao Xuan literature and images. The relationship between literature and image is a formal aesthetic proposition, which belongs to Zhao Xuan's formal aesthetics. The image in Zhao Xuan's study is "the image in literature". The study of the relationship between literature and image is the new development of Chinese literature and the meaning of formal aesthetics and even literary research. The study of the relationship between literature and image is based on the method of "linguistic figure semiology" and the study of intertextuality of "language-picture", in order to obtain an objective understanding of the relationship between the two. As the latest achievement in the study of literary forms, in the era of rapid development of new media, Zhao Xuan's research on the relationship between literature and images has a strong practical significance for the development of literature.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I01

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