马克思艺术生产论的当代拓展

发布时间：2018-05-18 11:28

本文选题：马克思 + 艺术生产论　；参考：《江西师范大学学报(哲学社会科学版)》2017年04期

【摘要】：在当代中国,艺术生产与艺术消费在相互依存的同时存在深刻的矛盾张力。根据马克思的艺术生产理论,探讨艺术生产论的当代拓展。首先,鉴于艺术生产的过程是从生产开始,故从生产入手探讨艺术生产与艺术消费的关系,以期发挥艺术生产在繁荣社会主义文化和提高人的素质方面的引领作用。其次,具体分析了当今艺术生产与市场的复杂关系。与法兰克福学派对"文化工业"持否定立场不完全相同,中国马克思主义文艺理论更注重建设性的一面,强调艺术生产须借市场之力,以实现艺术规律与市场规律的协调发展。第三,从个性化、综合性和公益性三个方面对艺术生产的未来发展提出建议。当分工不在成为一种强制时,艺术生产的资本属性将会逐渐淡化,而人的全面解放正是当代艺术生产的目标和发展方向。
[Abstract]:In contemporary China, art production and art consumption are interdependent and have profound contradictory tension. According to Marx's theory of art production, this paper discusses the contemporary development of the theory of art production. Firstly, in view of the fact that the process of art production begins with production, the relationship between art production and art consumption is discussed in order to give full play to the leading role of art production in the prosperity of socialist culture and the improvement of human quality. Secondly, it analyzes the complex relationship between art production and market. As the Frankfurt School does not hold a completely negative position on "cultural industry", the Chinese Marxist literary theory pays more attention to the constructive aspect, and emphasizes that art production must rely on the market force to realize the harmonious development of the art law and the market law. Third, the future development of art production is suggested from three aspects: individuation, comprehensiveness and commonweal. When the division of labor does not become a kind of compulsion, the capital attribute of art production will be gradually desalinated, and the overall emancipation of people is the goal and development direction of contemporary art production.
【作者单位】：华中师范大学文学院;
【基金】：国家社会科学基金重大招标项目“马克思主义文学批评的中国形态研究”(编号:11&ZD078)
【分类号】：J02

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