文学张力理论研究

发布时间：2018-05-18 14:03

本文选题：文学张力 + 语言　；参考：《广西师范大学》2010年硕士论文

【摘要】： 文学张力理论作为英美新批评文论的重要范畴之一,自艾伦·退特首次提出以来一直受到西方文艺理论界的关注。袁可嘉先生于20世纪40年代将文学张力这一范畴引入中国并对其作了初步的研究。近年来,由于艺术创作实践与学术研究等需要,在我国文论界“张力”范畴受到越来越多的关注。语言与人类思维等作为张力赖以产生的基础,其复杂性决定了对张力范畴阐释上的困难。文学张力这一概念源自西方,艾伦·退特定义其为:“我所说的诗的意义就是指它的张力,即我们在诗中所能发现的全部外展和内包的有机整体。”现下,国内学界对文学张力理论的研究的主要包括以下两方面:一是运用文学张力理论解释相关文学现象。好的作品往往在语言、意象、意境等方面既互相矛盾又互相协调,这些因素的综合作用使文学作品具有了张力特性,读者在张力的指导下可以获得更为强烈的审美感受。这成为了此类研究关注的中心;二是立足于文学张力理论本身的研究,如从语言本身的特性出发所做的研究等。目前,经过诸多学者多方面的研究,国内对文学张力理论的研究已经有了相当的深度与广度。但总体来说,我国现阶段对文学张力理论的研究仍然缺乏整体性,未能进行全面系统的梳理与阐释。鉴于此,本文力图在对具体文学作品进行分析的基础上对文学张力理论进行全面系统地梳理与分析,并力图探讨我国传统文论中所蕴含的张力思想,促进文学张力理论在我国的发展。论文主要包括以下内容:首先,论文的引言部分在对文学张力理论研究概况与现状进行综合叙述的基础上论证论文的可行性及科研价值,同时,指出了目下学界关于张力研究依旧存在的问题与不足。论文的第一、第二部分主要论述了自艾伦·退特提出文学张力理论以来英美新批评派的理论家对此范畴所进行的进一步阐释与发展。同时,也兼及论述了其他流派的理论家对文学张力理论所进行的研究,这些研究使得文学张力理论有了更强的普适性,能涵盖多种艺术类型。论文的第三部分主要从言语与意象张力、意象与意义张力和意境张力三方面集中论述了文学张力的基本内涵:语言作为文学作品的核心构成要素,其在意义的表达与组合中充满了张力,这就进一步决定了其所描写的意象本身与意象之间存在着即矛盾又协调的关系;意象与意义的张力主要体现在意象的来源,更多意义的意象和不确定的意象所展现出来的意义三个层次;意境也存在张力。意境由各种意象通过有机组合后形成。因此,意境的张力主要表现在情与景、虚与实两对辩证的关系当中。在上述三方面的互相支撑与互相影响下,形成了独具特色的文学张力理论。在以上三部分研究的基础上,论文的第四部分对我国传统诗学理论的相关文献进行了整理与相关分析,进而探讨我国传统诗学理论中所蕴含的文学张力思想,并试图将其系统化、条理化。在上述分析的基础上,笔者对中西文艺理论中的张力理论进行了横向的比较,从而初步构建系统化的中国文学张力理论。对文学张力理论的全面研究有助于促进中国文学张力理论的发展与完善。同时,对当下的文学创作也有着巨大的指导意义。
[Abstract]:As one of the important categories of the new criticism literary theory of Britain and America, literary tension theory has attracted the attention of western literary and artistic theorists since Alan Tet first proposed. Mr. Yuan Kejia introduced the category of literary tension into China in 1940s and made a preliminary study on it. In recent years, the practice of artistic creation and academic research In the field of literary theory, tension has attracted more and more attention.
The complexity of language and human thinking, which is the basis for tension, determines the difficulty in interpreting the tension category. The concept of Literary Tension derives from the west, which Alan Tet defines as: "the meaning of the poem I speak is its tension, that is, the entire organic whole that we can find in the poem." At present, the study of Literary Tension Theory in the domestic academic circles mainly includes the following two aspects: first, the use of literary tension theory to explain the related literary phenomena. Good works often contradict and coordinate each other in language, image, artistic conception and so on. The comprehensive effect of these factors makes the literary works have tension characteristics and the reader is in tension. Under the guidance, a more intense aesthetic feeling can be obtained. This has become the center of concern for this kind of research; two is based on the study of the theory of Literary Tension itself, such as the study of the characteristics of the language itself. At present, the research on the tension theory of literary Science has been quite deep in China after many scholars' research. But generally speaking, the research on the theory of literary tension is still lack of integrity at the present stage in our country. In view of this, this article tries to make a comprehensive and systematic analysis and analysis of the theory of Literary Tension on the basis of the analysis of the specific literary works, and try to explore the traditional literary theory of our country. The tension thought contained in it promotes the development of the theory of Literary Tension in our country.
The main contents of this paper are as follows: first, the introduction of the thesis demonstrates the feasibility and scientific research value of the thesis on the basis of a comprehensive description of the general situation and present situation of the literary tension theory. At the same time, it points out the problems still exist in the study of tension in the academic circles. The first and second parts of the thesis are mainly discussed in this paper. Alan Tet put forward the further interpretation and development of the theorists of the British and American Neo critics since the theory of literary tension. At the same time, it also discusses the study of the theory of Literary Tension by the theorists of other genres. These studies have made the theory of literary tension more universally applicable and can cover a variety of art classes. The third part of the thesis mainly discusses the basic connotation of literary tension from three aspects: speech and image tension, image and meaning tension and artistic tension. Language is the core component of literary works, and it is full of tension in the expression and combination of meaning, which further determines the image itself and image described. There is a relationship between contradiction and coordination; the tension of image and meaning is mainly reflected in the source of image, the meaning of the image and the meaning of the uncertain image displayed in three levels; the artistic conception also exists tension. The artistic conception is formed by the organic combination of various images. Therefore, the tension of the artistic conception is mainly manifested in the emotion and the scene and the deficiency. In the dialectical relationship with the real two, under the mutual support and mutual influence of the above three aspects, a unique literary tension theory has been formed. On the basis of the above three parts, the fourth part of the thesis has arranged and analyzed the relevant literature of the traditional poetics theory in our country, and then discussed the traditional poetics theory of our country. On the basis of the above analysis, the author makes a horizontal comparison between the tension theory of Chinese and Western literature and art theory, and thus preliminarily constructs a systematic theory of tension in Chinese literature.
The comprehensive study of the theory of literary tension helps to promote the development and perfection of the tension theory of Chinese literature, and also has great guiding significance for the present literary creation.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I02

【参考文献】