现代性的审美消费之维:论媚俗艺术的生成、表现及本质

发布时间：2018-06-04 03:45

本文选题：媚俗艺术 + 现代性　；参考：《当代文坛》2017年02期

【摘要】：媚俗艺术是现代性的产物,它的产生具有内在的必然性,是审美消费的必然结果。它的形成具有鲜明的商品"类属性",在生产、传播、消费各环节,都是精心的预谋;媚俗艺术以利益为根本导向,其本质是虚假的满足和感官的娱乐,它利用机械复制手段,所制造的产品本质上重复、陈腐、同质化,使意欲逃避虚空的接受者陷入更大的无聊空虚之中;媚俗艺术必须被冠以"美",具有平庸多元无所不包的折中风格,最终却丧失原则丧失个性,它是对日常无意义的虚幻性逃避。
[Abstract]:Vulgar art is the product of modernity, its emergence has the inherent inevitability, is the inevitable result of aesthetic consumption. Its formation has the distinct commodity "class attribute", in the production, the dissemination, the consumption each link, all is meticulous premeditated; the kitsch art takes the benefit as the fundamental direction, its essence is the false satisfaction and the sensory entertainment, it uses the mechanical reproduction means, The products made are essentially repetitive, stale, homogenized, so that the recipients who wish to escape from the void fall into greater boredom and emptiness; the kitsch art must be labeled "beautiful", with a mediocre, plural and all-inclusive compromise style. The ultimate loss of the principle of loss of personality, it is a daily meaningless illusory escape.
【作者单位】：西南民族大学文学与新闻传播学院;
【基金】：西南民族大学中央高校基本科研业务费专项基金阶段性成果之一,项目编号:2015SZYQN91;西南民族大学学位点建设项目“中国语言文学硕士一级学科”的阶段性成果之一,项目编号:2016XWD-S0501
【分类号】：J05

【相似文献】