审美救赎:作为终极关怀的审美与艺术——纪念蔡元培提出“以美育代宗教”美学命题一百周年

发布时间：2018-06-16 07:26

本文选题：以美育代宗教 + 美学命题　；参考：《文艺争鸣》2017年09期

【摘要】：正一世界已经进入了"无神的时代"。值此之际,能够敏锐地捕捉到这一时代脉搏,同时又能够敏锐地意识到审美与艺术在这个时代的特定价值与作用,意识到人类的灵魂旅程已经必须在宗教之外来完成,无疑正是百年来中外思想大家的共同的过人之处,当然,这也就是审美救赎的提出,然而,对于审美救赎的回答,却难免言人人殊,各有答案。尤其在中国,以审美去救赎"天崩地裂"的虚无之路,堪称蔡元培在中国所开创的第一个与世界同步的美学大讨论。他所提出的"以美育代宗教",也是中
[Abstract]:The first world has entered an era of "no God". On the occasion of this, it is able to catch the pulse of this time acutely, and be able to acutely realize the specific value and function of aesthetics and art in this era, and realize that the journey of the human soul has to be completed in the outside of religion. It is no doubt that it is a hundred years of Chinese and foreign thoughts. Of course, this is, of course, the idea of aesthetic redemption. However, the answer to the aesthetic redemption is unavoidable, but there are answers. Especially in China, the way of redeeming the "heaven and earth" in China is the first aesthetic discussion that Cai Yuanpei created in China. The religion of the generation is "also in the middle of the world."
【作者单位】：南京大学新闻传播学院;
【分类号】：J01

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