当代艺术中中国传统符号的运用与演绎

发布时间：2018-06-19 08:17

本文选题：当代艺术 + 符号　；参考：《中国美术学院》2009年硕士论文

【摘要】： 关于中国美术摆脱困境的取道方式,鲁迅先生曾有过高明的见地:“采用外国的良规,加以发挥,使我们的作品更丰满,是一条路;择取中国的遗产,融合新机,使将来的作品别开生面,也是一条路,”前者可称之为“借石攻玉”,后者可称之为“借古开今”。在前辈大师所开创的革命中,林风眠、徐悲鸿等人取道于“借石攻玉”,终归中西融合;齐白石、张大千等人则取道于“借古开今”,终归古今通变。两路完成同一个使命:中国传统美术的蜕变。蜕变即革命、即发现、即生命运动的过程。在新时期,“新潮美术”等侧重于“借石攻玉”,而同时崛起的“民间风”等则侧重于“借古开今”。在当代,中国传统符号得到了越来越多的艺术家的重视,当代艺术家在转换传统符号和自己的观念一致上更加成熟,很多艺术家因此而获得成功。本文分为三章来论述在当代艺术中运用与演绎中国传统符号的事例,为了清楚地阐明运用和演绎传统符号不仅是对传统的直接运用,而是从传统的内涵出发。所以我首先把题目中所涉及的概念都做了阐释,然后用几个有代表性的艺术家及其作品来阐明本文的主旨:传统符号的运用与演绎。第一章主要阐述了当代艺术在目前语境下的含义和符号的起源与含义;第二章论述了传统符号的民族性、传统符号的文化内涵和传统符号表现的多样性;第三章从运用和演绎传统符号的一些具有代表性的艺术家及其作品来解读传统符号的在当代艺术中的重要作用。
[Abstract]:On the way out of the predicament of Chinese art, Mr. Lu Xun had a brilliant insight: "adopt foreign good rules and give play to them, so that our works will become fuller and a way to go; take China's heritage and integrate new opportunities." So that the future works is a unique way, "the former can be called" stone attack jade ", the latter can be called" borrow the ancient open the present. " In the revolution pioneered by the predecessors, Lin Fengmian, Xu Beihong and others adopted the way of "attacking jade by stone", which eventually merged with China and the West; Qi Baishi, Zhang Daqian and others took the path of "opening up today through ancient times", which was eventually changed from ancient to modern. Two ways to complete the same mission: the transformation of Chinese traditional art. Transformation is revolution, namely discovery, the process of life movement. In the new period, the new fashion art focuses on "borrowing stone to attack jade", while the rising "folk style" focuses on "borrowing ancient times to open the present". At present, more and more artists attach importance to Chinese traditional symbols, and the contemporary artists are more mature in transforming traditional symbols and their own ideas, and many artists have been successful as a result. This article is divided into three chapters to discuss the application and deduction of Chinese traditional symbols in contemporary art. In order to clarify clearly that the use and deduction of traditional symbols is not only the direct use of the tradition, but also from the connotation of the tradition. So I first explain the concepts involved in the title, and then use several representative artists and their works to illustrate the main idea of this paper: the use and deduction of traditional symbols. The first chapter mainly expounds the meaning of contemporary art in the present context and the origin and meaning of the symbol, the second chapter discusses the nationality of the traditional symbol, the cultural connotation of the traditional symbol and the diversity of the expression of the traditional symbol. The third chapter interprets the important role of traditional symbols in contemporary art from the use and deduction of some representative artists and their works.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J120

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