他者的想象——意大利文艺复兴百年中国接受史

发布时间：2018-07-12 13:23

本文选题：意大利文艺复兴 + 民族文艺　；参考：《文艺理论研究》2017年01期

【摘要】：“意大利文艺复兴”作为一种思想体系的“他者”,在过去将近150年的学术中,依次以民族独立、民族复兴、思想解放、人的解放等内涵帮助塑造了中国学人有关民族、国家、思想、个体等方面的主体想象,成为不同历史时期数次思想大讨论的引子或焦点。从总体上看,对意大利文艺复兴的研究呈现出以下几种发展:在研究目标上,从口号式的、“西学为用”的拿来主义和工具主义到更为细致、深入的社会史、文化史研究;在评价态度上,从一面倒的推崇和正面评价,到更为客观的看待东西方文艺,更具批判性地看待文艺复兴的“个体主义”“世俗化”等特征;在研究对象上,从集中于少数知名大家到更为广泛的对象,主题也从艺术、思想,扩展到婚丧嫁娶、性别、城市建设与生活等全面的文化研究。
[Abstract]:The "Italian Renaissance" as the "other" of a kind of ideological system, in the past 150 years of academic research, in turn with the national independence, national rejuvenation, ideological liberation, human liberation and other connotations to help shape the Chinese scholars about the nation, the country. The subject imagination of thought, individual and so on, becomes the lead or focal point of several times thought discussion in different historical period. On the whole, the research on the Italian Renaissance shows the following development: in the research goal, from the slogan style, "Western learning for use" doctrine and instrumentalism to more detailed, in-depth social history, cultural history research; In terms of evaluation attitude, from one-sided praise and positive evaluation to a more objective view of eastern and western literature and art, and a more critical view of the Renaissance's "individualism" and "secularization", etc. From focusing on a small number of well-known people to a wider range of objects, the theme also extends from art, ideas, to marriage and funeral marriage, gender, urban construction and life and other comprehensive cultural research.
【作者单位】：南京大学艺术研究院;

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