技与艺——基于中国视角的艺术人类学相关理论探讨
发布时间：2018-08-09 10:18
【摘要】：盖尔的艺术能动性理论,在门神、灶神等中国民间艺术中得到了很好的印证。不过,能动性理论并不能完全解释山东民间艺术的功能。为了进一步理解中国艺术,有必要从中国美学和哲学的角度进行深入探讨。我们把艺术理解为观念的视觉表达,同音字与象征在中国民间艺术中被普遍采用,用以传达美好寓意。在传统中国,精英艺术与民间艺术分别由文人与工匠创作,二者判然有别。民国时期,"艺术家"这一概念传入中国,出现了职业艺术家。大集体时代,艺术更多被视为集体成果。1978年之后,艺术又与市场关联在一起。在非物质文化遗产时代,精英艺术与民间艺术、艺术家与工匠之间的樊篱似乎变得模糊,"艺术"的概念获得了新的内涵。
[Abstract]:Gale's theory of artistic initiative has been well confirmed in Chinese folk art, such as door god, kitchen god and so on. However, the theory of initiative can not fully explain the function of Shandong folk art. In order to further understand Chinese art, it is necessary to probe into it from the angle of Chinese aesthetics and philosophy. We understand art as the visual expression of ideas. Homonyms and symbols are widely used in Chinese folk art to convey beautiful meanings. In traditional China, elite art and folk art are created by literati and craftsman respectively. During the period of the Republic of China, the concept of "artist" was introduced into China and professional artists appeared. In the age of mass, art was more regarded as a collective achievement. After 1978, art was associated with the market. In the era of intangible cultural heritage, the fences between elite art and folk art, artists and artisans seemed to be blurred, and the concept of "art" gained new connotations.
【作者单位】： 英国科学院;英国杜伦大学人类学系;中国艺术研究院艺术人类学研究所;浙江财经大学艺术学院;
【分类号】：J0-05
本文编号：2173767
[Abstract]:Gale's theory of artistic initiative has been well confirmed in Chinese folk art, such as door god, kitchen god and so on. However, the theory of initiative can not fully explain the function of Shandong folk art. In order to further understand Chinese art, it is necessary to probe into it from the angle of Chinese aesthetics and philosophy. We understand art as the visual expression of ideas. Homonyms and symbols are widely used in Chinese folk art to convey beautiful meanings. In traditional China, elite art and folk art are created by literati and craftsman respectively. During the period of the Republic of China, the concept of "artist" was introduced into China and professional artists appeared. In the age of mass, art was more regarded as a collective achievement. After 1978, art was associated with the market. In the era of intangible cultural heritage, the fences between elite art and folk art, artists and artisans seemed to be blurred, and the concept of "art" gained new connotations.
【作者单位】： 英国科学院;英国杜伦大学人类学系;中国艺术研究院艺术人类学研究所;浙江财经大学艺术学院;
【分类号】：J0-05
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1 方凤婷;林晶晶;;“抽象艺术与中国视角”学术座谈会纪要[J];中国美术馆;2005年08期
，本文编号：2173767
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