录像与录像装置的时间性

发布时间：2018-11-03 10:31

【摘要】：本课题是从“时间”的角度重新看待录像与录像装置这两种艺术形式的作品,梳理出不同艺术作品所具有的时间逻辑,以“时间类型”对录像和录像装置作品进行分类,探究录像以装置的形式呈现所具有的“时间性”差异,以及当录像装置这种形式在以显示屏、投影呈现给观众时作品的“时间性”是否有新的延展?本文将以“实验电影到录像再到录像装置”这一发展过程为线索,并结合具体案例来论述“时间性”在此过程中是如何变化的,尤其是当录像以装置的形式呈现之后,是如何编织出更为复杂精致的时间网格,以创造出不同时间的可能性。
[Abstract]:This subject is to review the works of video recording and video recording device from the angle of "time", sort out the time logic of different art works, and classify the video and video device works by "time type". Explore the "temporal" differences of video in the form of a device, and whether there is a new extension of the "timeliness" of the work when the device is presented as a display screen, projected to the viewer? This paper will take the development process of "experimental film to video and then video device" as the clue, and combine the concrete case to discuss how the "timeliness" changes in this process, especially when the video is presented in the form of device. Is how to weave more sophisticated time grids to create possibilities for different times.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J5

【相似文献】