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理解中国艺术的参照系——对话沈语冰

发布时间:2018-11-03 14:23
【摘要】:正王志亮(河北大学艺术学院艺术理论与教育教研部副主任):您在上世纪90年代出版过《透支的想象:现代性哲学引论》,此后,您一直从事西方现当代艺术理论的翻译和研究工作。您之后的著作《20世纪艺术批评》,以及现在组织翻译的"凤凰文库·艺术理论研究系列"已成为该领域的必读书目。是什么促成您从哲学美学转向西方现当代艺术理论的研究?沈语冰(浙江大学美学与批评理论研究所所长、教授):你提到的第一本书正是那种学者们经常后悔的少作。这本书与
[Abstract]:Zheng Wang Zhiliang (Deputy Director, Department of Art Theory and Education and Research, School of Art, Hebei University): you published "the Imagination of overdraft: an introduction to the philosophy of modernity" in the 1990s, and since then, You have been engaged in the translation and research of modern and contemporary art theories in the West. Your later book, criticism of Art in the 20th Century, and the series of theoretical Studies of the Phoenix Library of Art, now organized and translated, have become a required bibliography in this field. What has prompted your shift from philosophical aesthetics to the study of modern and contemporary art theories in the West? Shen Yubing (Professor, Director, Institute of Aesthetics and critical Theory, Zhejiang University): the first book you mentioned was the kind of underwriting that scholars often regret. This book is related to
【作者单位】: 河北大学艺术学院艺术理论与教育教研部;
【分类号】:J110.9


本文编号:2308049

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