读图时代：文学魅力长存

发布时间：2018-11-10 16:55

【摘要】： 后现代是西方后工业社会的产物,它以怀疑一切的精神对现代主义的传统价值、文化进行批判。后现代语境中的文化,主张无中心、无主体、无距离、不确定性、碎片化和非理性等思想。特征主要表现为,主体性的丧失、距离的消蚀以及理性的缺失。后现代的图像转向,使传统的语言主因型文化遭到动摇,其文学呈大众化、商品化、图像化态势。图像对文学的挤压使米勒不无忧虑地认为“文学终结”的时代悄然将至,“文学是人学”,不管从文学的创作主体还是接受主体,亦或文学反映的主题都突出了“人”的重要性。虽然后现代语境中文学主体性被消解,虽然文学在与图像的抗衡中殊死挣扎,虽然读图时代审美主体处于异化状态,但是文学语言的特点、文学所创建的开放性对话交往模式,说明文学或者说艺术是审美主体的归宿。本文正是通过探讨读图时代的文学及审美主体的遭遇,来说明文学不会终结,文学的魅力长存! 具体来说,论文分为三章: 图像盛行,“文学终结”论是在后现代语境中产生的,所以第一章首先综述后现代的文化特征,然后从具体层面上分析读图时代文学的特点。第二章谈文学与图像。主要论述文学与图像的抗衡以及合谋,在相互比照中洞悉各自的优缺点。第三章论述读图时代审美主体的异化。首先分析“作者之死”和“读者之死”对文学造成的危机。其次从具体层面上分析文学审美主体如何在图像(以影视为例)面前发生变化,表现为主体素养的差异性、思维范式的转换和认知能力的错位。无疑,审美主体的异化使文学处于“边缘化”状态。最后结语部分,在追溯黑格尔、丹托、海德格尔等有关文学终结的论述后,指出文学作为一个有机生命体,有发展,也有终结,但终结的是不合理的部分,其终结也就意味着新生。所以,在读图时代,文学不会终结,文学魅力永存!文学审美主体不会成为“流浪者”,文学乃审美主体的精神家园、诗意栖居地。
[Abstract]:Post-modernism is the product of western post-industrial society. It criticizes the traditional value and culture of modernism with the spirit of doubt. Culture in postmodern context advocates the idea of no center, no subject, no distance, uncertainty, fragmentation and irrationality. The main features are the loss of subjectivity, the erosion of distance and the loss of rationality. The post-modern image turn has shaken the traditional culture of language as the dominant factor, and its literature is popular, commercialized and pictualized. The squeezing of literature by images makes Hans Muller think that the era of "the end of literature" is coming, that "literature is the science of man", whether from the subject of literary creation or from the subject of acceptance. The theme of literary reflection also highlights the importance of "man". Although the subjectivity of Chinese studies in postmodern context has been dispelled, although literature has struggled to death in the struggle against images, although the aesthetic subject of the time of reading pictures is in a state of alienation, the characteristics of literary language and the open dialogue and communication mode created by literature, It shows that literature or art is the destination of aesthetic subject. This article is through the discussion of the literature and aesthetic subject of the times of reading pictures encounter, to show that literature will not end, the charm of literature for a long time! Specifically, the thesis is divided into three chapters: the prevalence of images, "the end of literature" theory is produced in the post-modern context, so the first chapter summarizes the cultural characteristics of post-modern. Then it analyzes the characteristics of the literature of the time of reading pictures from the concrete level. The second chapter discusses literature and image. This paper mainly discusses the counterbalance and collusion between literature and image, and finds out their advantages and disadvantages in comparison with each other. The third chapter discusses the alienation of aesthetic subject in the time of reading pictures. Firstly, the author's death and the reader's death are analyzed. Secondly, it analyzes how the literary aesthetic subject changes in the image (taking film and television as an example) from the concrete level, which is manifested by the difference of the subject's literacy, the transformation of the thinking paradigm and the dislocation of the cognitive ability. Undoubtedly, the alienation of aesthetic subject makes literature "marginalized". In the last part of the conclusion, after tracing back to Hegel, Danto, Heidegger and so on about the end of literature, it points out that literature, as an organic organism, has both development and end, but the end is an unreasonable part. Its end also means new life. Therefore, in the era of reading pictures, literature will not end, the charm of literature will last forever! Literature aesthetic subject will not become "vagrant", literature is the spiritual home of aesthetic subject, poetic dwelling place.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I0-02

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