作为审美形态的英雄与崇高
发布时间：2018-11-26 08:24
【摘要】：英雄的审美本质是人崇高的超越精神。然而,英雄并不是一种纯粹美,审美与欲望、审美与政治、审美与道德的关系构成了言说英雄审美形态的三个维度。英雄原欲于英雄崇拜,"神人合一性","化崇高为欲望"是西方传统英雄的识别标志;伴随着"人"的日益觉醒,英雄成为官方意识形态与民间话语的共同审美期待,从而具有"政治理想性";在审美与政治的作用之下,英雄具有了塑造民众理想道德人格的审美功能,而"道德实践性","化崇高为道德"则是中国传统英雄的识别标志。英雄的"神人合一性"、"政治理想性"、"道德实践性"在后现代消费时代被解构,"化崇高为滑稽",使英雄徒剩滑稽的审丑外壳,不再崇高。英雄在当代的审美重塑应恢复其崇高的超越精神这一内核,以审美距离为原则,对欲望、政治、道德等意识形态进行无利害的审美调节。
[Abstract]:The aesthetic essence of heroes is the lofty spirit of transcendence. However, hero is not a pure beauty, aesthetic and desire, aesthetic and political, aesthetic and moral relations constitute the three dimensions of the aesthetic form of the hero. The hero originally wants to worship in the hero, "the god and the human unifies", "transforms the sublime into the desire" is the western tradition hero's identification symbol; With the awakening of "people", heroes become the common aesthetic expectation of official ideology and folk discourse, thus having "political ideal"; Under the action of aesthetics and politics, heroes have the aesthetic function of shaping the people's ideal moral personality, while "moral practicality" and "turning sublimity into morality" are the distinguishing marks of Chinese traditional heroes. The hero's "unity of God and man", "political ideal", "moral practicality" were deconstructed in the post-modern consumption era, "turning sublime into antics", which left the hero with a funny shell of judging ugliness and no longer lofty. The aesthetic remolding of the hero in the contemporary era should restore its lofty spirit of transcendence, take the aesthetic distance as the principle, and adjust the ideologies of desire, politics, morality and so on without any interest.
【作者单位】： 辽宁师范大学;
【基金】：国家社科基金项目“别现代语境中的英雄空间解构与建构问题研究”(15BZW025) 教育部人文社会科学青年项目“中国审美形态的识别性问题研究”(12YJC751092)
【分类号】：I01
，
本文编号：2357946
[Abstract]:The aesthetic essence of heroes is the lofty spirit of transcendence. However, hero is not a pure beauty, aesthetic and desire, aesthetic and political, aesthetic and moral relations constitute the three dimensions of the aesthetic form of the hero. The hero originally wants to worship in the hero, "the god and the human unifies", "transforms the sublime into the desire" is the western tradition hero's identification symbol; With the awakening of "people", heroes become the common aesthetic expectation of official ideology and folk discourse, thus having "political ideal"; Under the action of aesthetics and politics, heroes have the aesthetic function of shaping the people's ideal moral personality, while "moral practicality" and "turning sublimity into morality" are the distinguishing marks of Chinese traditional heroes. The hero's "unity of God and man", "political ideal", "moral practicality" were deconstructed in the post-modern consumption era, "turning sublime into antics", which left the hero with a funny shell of judging ugliness and no longer lofty. The aesthetic remolding of the hero in the contemporary era should restore its lofty spirit of transcendence, take the aesthetic distance as the principle, and adjust the ideologies of desire, politics, morality and so on without any interest.
【作者单位】： 辽宁师范大学;
【基金】：国家社科基金项目“别现代语境中的英雄空间解构与建构问题研究”(15BZW025) 教育部人文社会科学青年项目“中国审美形态的识别性问题研究”(12YJC751092)
【分类号】：I01
，
本文编号：2357946
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