民艺的“中国隐喻”——建立具有本土化实践和运用的民艺再生路径
发布时间：2019-08-17 15:16
【摘要】：参照日本民艺运动的实践案例,试图在案例解读中阐释中国的民艺运动,这需要在文化性和精神层面认知民艺的中国价值,梳理民艺的内涵和外延,从主流工艺美术到少数民族文化遗产,包括非物质文化遗产记忆的传习和发展等,逐步在中国现代化发展过程中建立一套可持续发展模式;发展民艺的精神实质和价值,并在手工制造的时间投入和情感附着中,发现民艺在快速消费时尚蕴藏的文化价值,建立民艺在中国快速发展中的现代性审美价值体系;倡导民艺手作者内生性自我发展体系,从价值倡导到精神共享的层面建立民艺的主体性文化认同,建立具有本土化实践和运用的民艺再生路径。
[Abstract]:Referring to the practical case of the Japanese folk art movement, this paper tries to explain the Chinese folk art movement in the case interpretation, which requires recognizing the Chinese value of the folk art at the cultural and spiritual level, combing the connotation and extension of the folk art, from the mainstream arts and crafts to the minority cultural heritage, including the transmission and development of the intangible cultural heritage memory, and gradually establishing a set of sustainable development model in the process of China's modernization. Develop the spiritual essence and value of folk art, and in the time input and emotional attachment of handmade, find the cultural value of folk art in the rapid consumption fashion, and establish the modern aesthetic value system of folk art in the rapid development of China. Advocate the internal self-development system of folk artists, establish the subjective cultural identity of folk art from the level of value advocacy to spiritual sharing, and establish the path of folk art regeneration with localization practice and application.
【作者单位】： 贵州日报社;
【分类号】：J0
本文编号：2527868
[Abstract]:Referring to the practical case of the Japanese folk art movement, this paper tries to explain the Chinese folk art movement in the case interpretation, which requires recognizing the Chinese value of the folk art at the cultural and spiritual level, combing the connotation and extension of the folk art, from the mainstream arts and crafts to the minority cultural heritage, including the transmission and development of the intangible cultural heritage memory, and gradually establishing a set of sustainable development model in the process of China's modernization. Develop the spiritual essence and value of folk art, and in the time input and emotional attachment of handmade, find the cultural value of folk art in the rapid consumption fashion, and establish the modern aesthetic value system of folk art in the rapid development of China. Advocate the internal self-development system of folk artists, establish the subjective cultural identity of folk art from the level of value advocacy to spiritual sharing, and establish the path of folk art regeneration with localization practice and application.
【作者单位】： 贵州日报社;
【分类号】：J0
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1 张红艳;龙荣培;;试析翻转课堂在国内本土化实践过程中的挑战[J];文教资料;2013年14期
，本文编号：2527868
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