韩国古典美学范畴——“风流”

发布时间：2018-01-05 02:26

本文关键词：韩国古典美学范畴——“风流”　出处：《东疆学刊》2013年01期 　论文类型：期刊论文

【摘要】：20世纪80年代以后,"风流"作为一个美学范畴或文化范畴越来越成为学界关注和探究的热点问题。在美学层面上,"风流"作为一个具有浓郁的韩国民族本土化意味的美学范畴,绝对可以担负起韩国传统历史文化"原型意象"的角色。因为它不但具有明确的精神价值取向,而且还形成了相对稳定的日常生活范型;它不只对韩国文化哲学的形成与发展影响巨大,即便在今天依然潜在地影响与规定着韩国民众的思维方式及行为准则。同时,"风流"的理念与精神诉求一直是韩国文学艺术创作主导的价值取向。所以,我们有理由说,"风流"是韩国古典美学的主导范畴与基干范畴。
[Abstract]:Since 1980s, as an aesthetic category or cultural category, "romantic behavior" has become a hot issue of concern and exploration in the field of aesthetics. As an aesthetic category with strong national localization of Korea, "romantic" can definitely assume the role of "archetypal image" of Korean traditional history and culture, because it not only has a clear spiritual value orientation. And also formed a relatively stable paradigm of daily life; It not only has a great impact on the formation and development of Korean cultural philosophy, but also potentially influences and prescribes the way of thinking and the rules of conduct of the Korean people even today. The concept and spiritual appeal of "romantic" have always been the dominant value orientation of Korean literary and artistic creation, therefore, we have reason to say that "romantic" is the dominant category and the basic category of Korean classical aesthetics.
【作者单位】：延边大学朝鲜—韩国学学院;
【基金】：2010年国家社科基金项目——韩国古典诗学范畴研究,项目批准号:10BWW012
【分类号】：I312.06
【正文快照】： 关于韩国传统审美意识及其美学思想的研究，从20世纪80年代以后才开始逐渐活跃起来。韩国美学始终以其民族固有的审美价值取向为主导，而在其民族审美的集体无意识深处，最富有“原型”意味的就是韩国美学传统中本土化的“风流”理念及其“物态化”的表现形式。[l]‘26’在韩

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