易卜生晚期戏剧的复象诗学

发布时间：2018-01-28 13:32

本文关键词： 易卜生复象诗学双重自审元艺术　出处：《外国文学研究》2013年03期 　论文类型：期刊论文

【摘要】：经反复细读,可以发现易卜生晚期戏剧隐含了一种独特的复象诗学。所谓"复象",意指易卜生晚期戏剧在审美形式上的独特创构和审美效果上的高妙境界:楼外有楼,景深无穷;象外有象,境界层深。易卜生晚期的每一部优秀剧作,都不只是创造了一个意象世界,而是在多数读者可以感知的整体性的意象-世界背后,还隐蕴着一个或多个整体性的意象世界。而之所以出现这种情形,既有艺术本体论上的根据,也跟易卜生晚期的"双重自审"——灵魂自审与艺术自审——密切相关。尤其是"双重自审",不仅使易卜生晚期戏剧呈现出复象景观,而且使之达到了"元艺术"的境界。易卜生晚期戏剧隐含的复象诗学,较之巴赫金提出的、陀思妥耶夫斯基小说隐含的复调诗学,更切近现代艺术的本体,对于现代艺术创作亦颇具启发意义。
[Abstract]:After careful reading, we can find that Ibsen's late drama implies a unique complex poetics. It refers to the unique creation of the aesthetic form of the late Ibsen drama and the high and wonderful realm of aesthetic effect: there is a building outside the building and the depth of field is infinite; Every excellent play of late Ibsen created not only a world of images, but an image of the whole world, which most readers could perceive. There is also one or more holonomic image world, and the reason for this situation, there are artistic ontological basis. It is also closely related to the "double self-examination" of the late Ibsen, the soul self-examination and the artistic self-examination, especially the "double self-examination", which not only makes the late Ibsen drama present a complex landscape. And make it reach the realm of "meta-art". The polyphonic poetics implied by Ibsen's late drama is closer to the Noumenon of modern art than the polyphonic poetics proposed by Bakhtin and Dostoevsky's novels. It is also instructive for modern art creation.
【作者单位】：武汉大学艺术学系;
【基金】：国家社科基金青年项目“易卜生戏剧诗学研究”【项目批号:13CWW023】教育部人文社会科学研究青年基金项目“易卜生私密文献翻译与研究”【项目批号:11YJC752020】阶段性成果武汉大学70后学者学术发展计划支持项目“现代戏剧影视诗学研究”阶段性成果
【分类号】：I533.073
【正文快照】： 在当今国际易卜生学界,易卜生晚期戏剧愈来愈受重视,其所蕴涵的“深刻的诗学意图”①尤其引起学者们探讨的兴趣。如果说易卜生晚期戏剧代表了其戏剧创作的最高成就,那么其所隐含的最具独创性、现代性和影响力的诗学思想是什么呢?笔者以为,易卜生晚期戏剧最独特、最有魅力的地

【参考文献】