从夏目漱石代表作品分析其两性观念

发布时间：2018-01-31 18:37

本文关键词： 夏目漱石两性关系两性理想突破　出处：《天津师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：夏目漱石是日本近代文学的杰出代表,他的小说大多以“两性关系”为基础构建故事,最有代表性的作品是他的前后三部曲(《三四郎》《从此以后》《门》《春分之后》《行人》《心》)以及晚期作品《道草》和《明暗》。这些作品刻画了一系列带有时代印记、个性鲜明的男性和女性形象,塑造了几段苦涩悲凉的情感故事,展现了男女两性在爱情或婚姻关系中呈现出的不同特色。这些作品代表了夏目漱石小说的最高成就。面对两性问题,夏目漱石始终走在探索的道路上,他的思索和进步都通过作品中的人物形象忠实地得以反映,他的两性观念也越来越成熟、越来越完善。本论文意图以夏目漱石笔下的男女两性关系为切入点,探讨小说中流露出的作者的两性观念,并归纳总结作者两性观的发展轨迹,对其中难以避免的思想误区进行阐释。本论文共分为四部分：第一部分介绍夏目漱石代表作品中的两性关系类型,将作品中八段不同特色的男女婚姻或恋爱关系分为三种类型：相濡以沫型、相敬如冰型和女尊男卑型。第二部分介绍夏目漱石笔下男性和女性角色在相处时呈现的特点。男性主人公往往沉浸在孤独空虚的情绪之中,无法信任他人,游离在社会体制之外,孤独而崩溃；女性主人公对自己的价值没有清晰的认识,没有实现真正彻底的解放。第三部分重点解读夏目漱石的两性理想及其成因。夏目漱石渴望沟通无障碍的精神之恋,钟爱温柔、婉顺的女性形象,这些标准的产生既源自夏目漱石的生活经历,也带有那个时代的特色元素。第四部分介绍夏目漱石两性观的局限及发展。夏目漱石前期的作品暴露了“女性轻视”的问题,作品大都以男性为中心展开描写,女性形象流于符号化,价值始终没有得到张扬,男性角色面对爱情吝于给予,男权思想根深蒂固。但是到了创作晚期,他的两性观有了转变和突破,与此同时,他的晚期思想“则天去私”也对两性关系产生了指导意义。
[Abstract]:Natsumi Shu-shih is an outstanding representative of modern Japanese literature. Most of his novels build stories based on "gender relations". The most representative work is his trilogy (< Sanxichiro > hereafter > < after the Spring Equinox > < pedestrian > < heart]). As well as the late works "Tao grass" and "light and shade". These works depict a series of times with the mark of the times. The vivid male and female images shape several bitter and sad emotional stories. These works represent the highest achievement of Naturai Shu-shih 's novels. In the face of gender problems, Natsuke has always been on the road of exploration, his thinking and progress are faithfully reflected through the characters in his works, and his concept of gender has become more and more mature. This thesis aims to explore the author's concept of gender in the novel, and summarize the development of the author's concept of gender. The inevitable ideological misunderstanding is explained. This thesis is divided into four parts: In the first part, the author introduces the types of gender relations in the works, and divides the marriage or love relationships between men and women with different characteristics into three types:. Help each other type, respect as ice type and female men inferior type. The second part introduces the characteristics of the male and female characters in Natsuke's writings. The male protagonist is often immersed in the lonely and empty mood, unable to trust others, dissociated from the social system. Loneliness and collapse; The female protagonist does not have a clear understanding of her own value and does not realize a true and complete liberation. The third part focuses on the interpretation of Natsuke's gender ideal and its causes. Natalie is eager to communicate the spiritual love without obstacles, love gentle, gentle and gentle female image. These standards are both derived from Natsuke's life experience, but also with the characteristics of that era. The 4th part introduces the limitation and development of Natalie's view of gender. His early works exposed the problem of "women despise". Most of the works are about men, and the images of women flow into symbolization. The value has never been publicized, male characters are reluctant to give in the face of love, and the patriarchal thought is deeply rooted. However, in the late period of his creation, his concept of gender has changed and broken through, at the same time. His late thought, "the days go private" also has the guiding significance to the gender relations.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I313.074

【参考文献】