论三岛由纪夫作品中的矛盾性

发布时间：2018-02-16 02:00

本文关键词： 三岛由纪夫文化冲突生死观爱情观女性观矛盾性　出处：《辽宁师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：三岛由纪夫在对日本传统文化和西方文化的兼收并蓄中形成自己的独特性，他的作品经常出现一些二律背反的公式，例如，美与恶，爱与丑，优雅与暴烈，青春与老朽，诚实与伪善，希望与破灭等等，让人感受到三岛无处不在的矛盾性。他常带着一种逆反和冒险的精神来演绎这些相反相对的概念和思想，体现在作品中主人公的塑造中。从强烈的冲突中我们体悟三岛本人的怪异美学观，并从中分析出不种文化的影响和他所倡导的“文武两道”，，以及他对天皇的矛盾态度，都影响着三岛创作中和种种对立因素的形成。本文分六个部分对三岛作品中的矛盾性作出梳理和认识。第一部分作为论文的引言，针对学术界对三岛由纪夫作品的研究还不够多元化，研究的内容多集中在一个问题或主要作品上，研究的对象还很单一，研究的方法不够全面的现象。突出自己论文的出发点以及创新之处，从而引出本文的切入点主要从文章的情节，人物，意象，艺术特色，东西方文化影响等深入分析，具体论述三岛由纪夫的作品中处处体现的矛盾性。第二部分具体阐述三岛在作品中所表现出的对生死的矛盾态度，即通过对男性肉体的赞美表达对生的崇拜，同时又渲染了充满血腥的死，将悲壮的死与青春相连表达对死的执着。进而分析造成他对生死对立态度的原因主要受不同的文化的影响。第三部分着重分析三岛爱情观，在他笔下呈现出来的有对唯美纯洁的爱情的憧憬，更有畸形变态的爱情的细致描摹，并分析这种矛盾心理的生成主要是与战后纷乱的社会相关，带有一定的批判性。第四部分则从国内评论界关于三岛“厌恶女性”评论有所偏颇找到切入点，并结合三岛自身成长的经历、日本传统文化与西方观念共同作用的原因，通过三岛在作品中对女性形象的刻画总结出他所对女性既厌恶又欣赏的矛盾态度。第五部分着重分析三岛由纪夫作品中“大海”和“火”的意象，在此类既包孕生又象征死的意象中也体现了三岛的矛盾性。最后一部分作为结论具体阐述了日本民族的矛盾性格和三岛的“天皇观”对三岛自身和创作的影响，并肯定三岛作品中的矛盾性所展现出来的奇特的冲突美，打破了传统以和谐为美的艺术形态，这在文化上也是一种进步的表现。
[Abstract]:Miyashima formed his own uniqueness in his integration of Japanese traditional culture and Western culture, and his works often presented some formulas against the law, such as beauty and evil, love and ugliness, elegance and violence, youth and decay. Honesty and hypocrisy, hope and disillusionment, etc., make one feel the ambivalence of the three islands everywhere. He often deduces these opposite concepts and ideas with a spirit of rebellion and adventure. Embodied in the portrayal of the protagonist in his works. From the intense conflict, we understand the strange aesthetic view of the three islands, and analyze the influence of non-culture, the "two ways of culture" advocated by him, and his contradictory attitude towards the emperor. Are affecting the creation of the three islands and the formation of various opposing factors. This paper is divided into six parts to sort out and understand the contradictions in the works of the three islands. The first part, as an introduction to the thesis, is not diversified enough for the academic research on the works of Yukio Miyashima. The content of the research is mostly concentrated on one problem or main work, the object of study is very single, the research method is not enough comprehensive phenomenon. Thus, the breakthrough point of this paper is mainly from the analysis of the plot, characters, images, artistic characteristics, the influence of eastern and western cultures, etc. The second part concretely expounds the contradictory attitude to life and death that the three islands show in their works, that is, expressing the worship of life and death through the praise of the male body. At the same time, it also plays up the bloody death, connecting the tragic death with the youth to express the persistence of death. Then it analyzes the causes of his opposing attitude to life and death, which are mainly influenced by different cultures. The third part focuses on the analysis of the three islands' view of love. In his writings, there is a longing for beautiful and pure love, a detailed description of abnormal and abnormal love, and an analysis of the emergence of this kind of contradictory psychology, which is mainly related to the chaotic society after the war. With a certain degree of criticality. In part 4th, the author finds an entry point from the domestic critics' comments on the "female loathing" of the three islands, and combines the experiences of the three islands' own growth, the reasons why the Japanese traditional culture and the western ideas work together. Through the depiction of the female image in the works of Mijima, the author summarizes his contradictory attitude towards both disgust and appreciation of women. Part 5th focuses on the analysis of the images of "the sea" and "fire" in the works of Yukio Miyashima. The last part, as a conclusion, expounds the contradictory character of the Japanese nation and the influence of the emperor's view on the creation of the three islands. It also affirms the peculiar beauty of conflict in Miao's works, which breaks the traditional artistic form of harmony, which is also a kind of progressive expression in culture.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074

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