一个核心话语的反思——苏联“社会主义现实主义”话语演变记

发布时间：2018-03-09 01:04

本文选题：社会主义现实主义　切入点：话语实践　出处：《文艺理论研究》2014年05期 　论文类型：期刊论文

【摘要】：文学理论言说是一种话语实践。"社会主义现实主义"是在苏联文学与中国文学的行进历程上已然刻下深深印痕的一个核心话语。清理这一核心话语的演变轨迹,有助于这一核心话语历史功能的反思。从话语实践的现实效果来看,"社会主义现实主义的开放体系"可谓"恪守中的开放":在客观上确实推动了文学理论界与文学创作界的"思想解放";也可谓"开放中的恪守":在主观上曾真实体现出苏联文论界期望通过自身的"主动修复"来捍卫"社会主义现实主义"这一文化战略。尊重历史原生态,检阅历史,回望历史,对苏联"社会主义现实主义"这一核心话语进行客观冷静的历史反思,已成为20世纪文艺理论史、20世纪美学思想史甚或20世纪艺术文化史的书写中一个不可回避的话题。
[Abstract]:The theory of literature is a kind of discourse practice. "Socialist realism" is a core discourse that has been engraved deeply in the course of Soviet literature and Chinese literature. It is helpful to reflect on the historical function of this core discourse. From the practical effect of discourse practice, the "open system of socialist realism" can be described as "open in adherence": objectively, it has really promoted the literary theory circle and literature. "ideological emancipation" in the field of learning and creation and "adherence to the principle of openness": subjectively, the Soviet literary circle truly embodied the cultural strategy of "socialist realism", which the Soviet literary circle expected to defend through its own "active restoration". Respecting the original ecology of history, Reviewing the history, looking back at the history, carrying on objective and calm historical reflection on the core discourse of "socialist realism" of the Soviet Union. It has become an unavoidable topic in the history of literary theory in 20th century and in the history of aesthetics in the 20th century or even in the history of art and culture in 20th century.
【作者单位】：中国社会科学院外国文学研究所;
【分类号】：I512.06

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