论影片《爱丽丝梦游仙境》对卡罗尔原作的续写和改编

发布时间：2018-03-10 11:42

本文选题：爱丽丝　切入点：卡罗尔　出处：《天津理工大学》2012年硕士论文　论文类型：学位论文

【摘要】：《爱丽丝漫游仙境》与《爱丽丝镜中世界奇遇记》是英国作家刘易斯·卡罗尔的两部经典儿童幻想文学作品，天才导演伯顿的3D影视大片《爱丽丝梦游仙境》取材于该两部文学作品并进行相应改编，创造了电影史上票房过千万的奇迹。13年后，成年后的爱丽丝又一次掉入兔子洞，完成了一次仙境的梦幻之旅。关于该影片的成功，一方面源于原著的魅力。影片延续了原著的故事模式套路和经典人物形象，并成功再现了一个大部分渴求的幻想世界。主人公在经历了幻想世界的历险而得到成长。另一方面，影视的成功在于其巧妙的改编。影视中很明显感受到导演伯顿的风格和迪斯尼影视的叙事风格，而且该电影面向大众而不仅仅局限于儿童。同时，影片中爱丽丝在现实世界的描叙以及爱丽丝自身的转变可以看出影视中的女性主义色彩。本文从文本到影视两种文学载体过渡的角度，分析了3D电影《爱丽丝梦游仙境》对卡罗尔两部爱丽丝文学作品的续写和改编，，阐释了一部改自经典文学作品的影片的成功既要吸收保留原著中的精髓，又需要符合当代人的时代潮流进行必要的创作改编。全文主体共分三个部分：第一章主要讲述不同文学载体之间的过渡，从民间传说到文本故事，从文本到影视作品。并重点以从文本到影视的角度阐述影视文本叙事特点的恒定因素与可变因素。第二章主要以影视对原作的经典保留传承角度，从故事到人物情节再到共同的魅力灵魂的再现，由表及里的分析3D爱丽丝对原作的续写。第三章首先强调了影片导演，电影制作公司以及观众群体的变化对影视改编的影响，进而分析影视爱丽丝对于原作的改编，以及由于改编而展示女性主义新的主题，丰富再造了爱丽丝故事模式与内涵。本文通过3D爱丽丝该部电影的分析解读，阐释了一个从文本成功过渡到影视的实例。
[Abstract]:Alice in Wonderland and Alice in the Mirror are two classic children's fantasies by British writer Louise Carroll. Genius director Burton's 3D film blockbuster Alice in Wonderland is based on and adapted from these two literary works, creating a miracle of tens of millions of dollars at the box office in film history. Thirteen years later, Alice fell into the rabbit hole again as an adult. Completed a fairyland dream trip. On the one hand, the success of the film stems from the charm of the original. The film continues the story pattern of the original and the classic characters. And successfully recreates a largely desired fantasy world. The protagonist grows up through the adventure of the fantasy world. On the other hand, The success of the film and television is due to its clever adaptation. The film and television clearly feel the style of director Burton and the narrative style of Disney film, and the film is open to the public and not limited to children. At the same time, The description of Alice in the real world and the transformation of Alice itself can see the feminist color in film and television. From the perspective of the transition from text to film and television, this paper analyzes the continuation and adaptation of Carroll's two Alice literary works in the 3D film Alice in Wonderland. This paper explains that the success of a film adapted from classical literature not only absorbs the essence of the original work, but also needs the necessary creative adaptation in line with the contemporary trend of the times. The main body of the thesis is divided into three parts:. The first chapter mainly tells the transition between different literary carriers, from folklore to text stories. From the text to the film and television works. And from the perspective of the text to the film and television text narrative characteristics of the constant factors and variable factors. Chapter two mainly from the film and television to the original classic preservation of the perspective of inheritance, From the story to the plot to the reappearance of the common charm soul, the analysis from the surface to the interior is the continuation of the original work by 3D Alice. Chapter three first emphasizes the influence of the film director, the film production company and the audience group on the film adaptation. Then it analyzes the adaptation of the original work and the new theme of feminism in the film and television Alice, which enriches and reconstructs Alice's story mode and connotation. It illustrates an example of the successful transition from text to film and television.
【学位授予单位】：天津理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J905;I561.078

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