论《橙子不是唯一的水果》和《激情》中的道德和艺术感知

发布时间：2018-03-13 20:36

本文选题：《橙子不是唯一的水果》　切入点：《激情》　出处：《厦门大学》2014年硕士论文　论文类型：学位论文

【摘要】：珍妮特·温特森被当代英国文学界视为一名影响深远的作家；自从她的第-部小说《橙子不是唯一的水果》出版后,她的作品就成为众多学者的研究对象。大多数研究选取了女性理论或者后现代主义视角对温特森进行解读。然而温特森本人并不认可把自己放在任何一个流派下关照的做法。温特森不把自己局限在某一理论主张之下,而是致力于如何更巧妙地利用语言,拓展小说这种艺术的价值,从而使其更具代表性、更富有内涵。通过叙述故事,温特森对性别构建、历史话语等权威性的声音发出了质疑与挑战。这篇论文旨在探讨温特森如何实现其上述主张,挑战父权体制、官方历史“事实”、以及人类贪婪利用大自然时的自我中心意识。由于温特森作品丰富,时间跨度较大,本论文主要对其早期两部作品进行文本探究,即：《橙子不是唯一的水果》和《激情》。这两个文本反映了温特森对不同的失语群体的关注。这些群体陷入了一种“异识”状态。根据利奥塔的界定,“异识”是一种不稳定的状态,在那里需要用语言来表达的问题因为某种原因无法得到确认,无法达成共识。在“异识”状态下的群体无法对其经历的伤害进行诉说。为了寻回失落的声音,温特森的这两部小说着重描述了这类群体,释放他们黯哑的声音,比如那些对同性怀有爱的女人,在战争中消失的士兵、妓女,被侵占的城市,被烧毁的村庄,乃至默然承受人类掠夺的大自然。通过将“真实”与“虚幻”结合,在“大历史”的夹缝与罅隙中插入“小历史”,以及对大自然存在既怪诞又诗化的描绘等等艺术手法,温特森将这些包括人类和非人类在内的在世间失音的存在者被剥夺的话语权重新归还给他们。本论文由五个章节组成。引言主要对如下几方面进行简要介绍：温特森及其创作、《橙子不是唯一的水果》和《激情》及温特森在其中对失语群体的关照。第一章探讨温特森如何将“真实”与“虚幻”结合以表述女性之间的爱。第二章关注温特森如何从大历史中释放出那些被剥夺话语的战争中的受害者。第三章讨论温特森如何恢复在大叙事下沉默的自然之声,呼吁重识自然的价值。结语总结本文论点和研究结果。
[Abstract]:Janet Winterson is regarded as a far-reaching writer in contemporary British literature; since her first novel, Orange is not the only fruit, Her work has become the subject of many scholars. Most of the studies have taken the perspective of women or postmodernism to interpret Winterson. However, Winterson herself does not agree to put herself under any particular school. Care. Winterson doesn't confine himself to a theory, It's about how to use language more skillfully, to expand the value of the art of fiction, to make it more representative and meaningful. Authoritative voices such as historical discourse have raised questions and challenges. The purpose of this paper is to explore how Winterson can achieve his claims, challenge the patriarchal system, the "facts" of official history, and the sense of self-centeredness in human greed for the use of nature. This paper mainly explores the two early works. Orange is not the only fruit and passion. These two texts reflect Winterson's concern about different aphasia groups. These groups fall into a state of "heterosexual". According to Liotta's definition, "different knowledge" is a. A state of instability, The problems that need to be expressed in language there are, for some reason, unidentifiable, unable to reach a consensus. Groups in a "different sense" state are unable to tell about the harm they have experienced. In order to find a lost voice, Winterson's two novels focus on such groups, releasing their dull voices, such as women who love the same sex, soldiers who disappeared during the war, prostitutes, occupied cities, burned villages. By combining "reality" with "illusory", inserting "small history" into the cracks and crevices of "great history" and depicting nature's existence as bizarre and poetic, and so on. Winterson returned to them the disconnected voice of the human and non-human beings. This thesis is composed of five chapters. The introduction mainly introduces the following aspects: Winterson and his creation, "Orange is not the only fruit" and "passion" and Winterson's care for the aphasia group. Chapter two focuses on how Winterson combines "truth" and "illusion" to express the love between women. Chapter two focuses on how Winterson releases the victims of war who are deprived of their words from the big history. Chapter three discusses Wen. How Tesson recovers the natural voice of silence in the grand narrative, The conclusion summarizes the arguments and results of this paper.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I561.074

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