用后殖民主义理论分析奈保尔的《印度三部曲》

发布时间：2018-04-02 00:16

本文选题：奈保尔　切入点：印度三部曲　出处：《上海外国语大学》2012年硕士论文

【摘要】：奈保尔是一位有着多重文化身份的移民作家。自20世纪50年代以来，他的作品受到越来越多的关注。它们主要反映了过去与现在的矛盾，殖民地独立后的现状以及移民和生活在第三世界国家人民的生活。奈保尔曾经三度返回他的故土印度并根据三次印度之行创作了《印度三部曲》：《幽暗国度，记忆与现实交错的印度之旅》（1965），《印度：受伤的文明》（1975），《印度：百万叛变的今天》（1988）。本论文以《印度三部曲》为文本立足点，着重研究作家在三次印度之行中对印度的不同印象并探索奈保尔如何通过不同的叙事手法来反映其内心的变化。从三本书中，我们可以看出奈保尔一直试图回归传统文化，但他过去的个人经历却给他带来了一定的隔阂。他通过多种叙事手法和叙事角度来反映了他在三次印度之行中内心经历的挣扎。他通过虚实结合的方式创造了一种全新的手法来描述所见所闻，并以此弥补自身经历的空白之处。论文简介了奈保尔的职业生涯，相关的文学研究，《印度三部曲》文本分析中用到的方法论以及研究意义。在主体部分，论文先探讨奈保尔三次印度之行对于其母国的不同印象，他的态度从彻底的失望逐渐转变为乐观的包容。这主要得益于他多年行走于发展中国家，，可以挣脱西式思维的束缚，在感情上更贴近母国。接着论文分析了奈保尔的叙事角度，作者从内部参与者逐渐演变为外部观察者，文本的主观感情色彩也因此得到了淡化，给读者一个更客观的视角观察印度社会。最后探讨奈保尔如何通过其特有的叙事手法来表达他的感受。三部游记柔和了多种叙事手法，包括引用历史材料，著作和新闻，人物描写和采访对话等。结语部分总结了奈保尔如何通过写作重拾其文化身份以及其作品反映的现实意义。
[Abstract]:Naipaul is a multi-cultural immigrant writer whose works have attracted more and more attention since the 1950s. They mainly reflect the contradiction between the past and the present. The status quo after colonial independence and the lives of immigrants and people living in third world countries. Naipaul returned to his native India three times and wrote the Indian Trilogy, "the Dark Kingdom," based on three trips to India. "A trip to India intertwined in memory and reality." India: a wounded Civilization. "India: millions of Rebellion Today." 1988. Based on the trilogy of India, this thesis focuses on the writer's different impressions of India during his three trips to India and explores how Naipaul reflects his inner changes through different narrative techniques. We can see that Naipaul has been trying to return to traditional culture, But his past personal experience has brought him a certain estrangement. He reflects the struggle of his inner experience in three trips to India through a variety of narrative techniques and narrative angles. A whole new way of describing what we see and hear, And in this way to fill the gap in their own experience. This paper briefly introduces Naipaul's career, related literary studies, methodology and significance in text analysis of Indian Trilogy. The paper first discusses the different impressions of Naipaul's home country during his three trips to India. His attitude has gradually changed from total disappointment to optimistic tolerance. This is mainly due to his many years of traveling in developing countries and his ability to free himself from the shackles of Western-style thinking. Then the thesis analyzes Naipaul's narrative angle, the author gradually evolves from the internal participant to the external observer, and the subjective emotion of the text is desalinated. It gives readers a more objective view of Indian society. Finally, it explores how Naipaul expresses his feelings through his unique narrative techniques. The three travels soften a variety of narrative techniques, including quoting historical materials, works, and news. The conclusion summarizes how Naipaul rediscovered his cultural identity through writing and the practical significance of his works.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I767.074

【相似文献】