从《苍狼》看井上靖的女性观

发布时间：2018-04-13 07:36

本文选题：苍狼 + 牝鹿　；参考：《湖南大学》2012年硕士论文

【摘要】：井上靖（1907～1991），作家，评论家和诗人，，是一位大量取材中国历史、特别是从中国史传文学为素材进行创作的当代著名作家。通过对井上靖先行研究成果的总结，笔者认为目前对《苍狼》的研究还有其发展的空间，有研究的意义。该论文将以新批评主义的文本分析法为基本方法，所据为参考且视为文献的研究资料包括中、日语相关之传记、历史文献、评论、著作集、期刊论文等。笔者采用新批评主义，结合作家个人经历，建立作品与作家之间的联系，剖析《苍狼》中井上靖的女性观，挖掘《苍狼》这部中国题材历史小说中井上靖的女性观的内涵。首先、井上靖小说中关于女性的描写富于独特的审美取向，因而关于井上靖女性观的研究是解读其作品的一把钥匙。在笔者所知范围内，关于井上靖的女性观的研究，因取材作品散而杂，对井上靖的女性观的把握还不够深入。在广泛阅读了井上靖文学作品之后，笔者认为《苍狼》在井上靖作品群中所塑造的女性群体像是最丰富的，如果说男性群体像是《苍狼》这部作品的骨架，那么女性群体像便是《苍狼》的血肉，是这部作品打动人心的根本。其次、以“《苍狼》论争”为主轴的文体研究经历了二十世纪六十年代的研究高潮，已经成熟，同时《苍狼》的历史小说的特点，通过中日两国研究者的努力与相互借鉴和交流，也得出了完整的结论；以成吉思汗的个人奋斗史与成功史为中心，着重描写《苍狼》中的男性群体像的研究在中日两国都有学者关注并取得了一定的研究成果。第三、在井上靖的女性观的研究方面，第一类研究主要考察了井上靖作品中的女性形象，但忽略了作家与作品之间的联系，无法阐明井上靖笔下的女性形象的创作渊源；笔者认为，只有在建立作家和作品之间联系的基础上，说明井上靖的女性观对其创作女性形象的作用，才能阐明井上靖笔下的女性形象的创作渊源；第二类研究虽然结合了作家个人经历，但其研究对象庞大冗杂，导致分析缺乏力度和深度；笔者认为只有对研究对象加以甄选，去粗取精，才能使女性观点分析论据充分，使研究富于力度和深度；因而，本研究的发展空间和意义比较大。
[Abstract]:Inoue Yasushi, a writer, critic and poet in 1907, is a famous contemporary writer who draws a lot of materials from Chinese history, especially from Chinese historical biographical literature.Based on the summary of Inoue Yasushi's previous research results, the author thinks that there is room for development and significance in the study of the wolf.This paper will be based on the neo-critical text analysis method. The research materials to be referred to and regarded as literature include Chinese and Japanese-related biographies, historical documents, reviews, collections of works, journal papers, etc.By using Neo-criticism and personal experience, the author establishes the relationship between the works and the writer, analyzes Inoue Yasushi's view on women in the Wolf, and excavates the connotation of Inoue Yasushi's view on women in the historical novel of Chinese theme.First of all, the description of women in Inoue Yasushi's novels is full of unique aesthetic orientation, so the study of Inoue Yasushi's view of women is a key to the interpretation of his works.As far as I know, the research on Inoue Yasushi's view of women is not deep enough because of the scattered material works.After extensive reading of Inoue Yasushi's literary works, the author thinks that the female group in Inoue Yasushi's works is the most abundant, and if the male group is like the skeleton of this work,Then the female group image is the flesh and blood of the wolf, which is the root of this work.Secondly, the stylistic study, which is based on the controversy of "the wolf", has experienced the climax of the 1960s and has matured, and the characteristics of the historical novel of "the wolf".Through the efforts of the Chinese and Japanese researchers and their mutual reference and exchanges, they have also drawn a complete conclusion. Taking Genghis Khan's history of personal struggle and success as the center,Studies focusing on the description of male group figures in Wolf have been paid attention to by scholars in both China and Japan and some research results have been obtained.Third, in the study of Inoue Yasushi's view of women, the first kind of study mainly examines the female image in Inoue Yasushi's works, but neglects the relation between the writer and the work, and cannot clarify the origin of the female image in Inoue Yasushi.The author thinks that only on the basis of establishing the connection between the writer and the works, can we clarify the origin of the female image in Inoue Yasushi's works by explaining the role of Inoue Yasushi's view of women on her creation of female image;Although the second kind of study combines the writer's personal experience, its research object is huge and miscellaneous, which leads to the lack of strength and depth of the analysis.The research is rich in strength and depth, therefore, the development space and significance of this study is relatively large.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I313.074

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